The star-studded production follows the story of two families: On one end is the successful but stingy Namzet Horanta, the boss of Horanta Holding, a jewelry manufacturer. To his wife Latife, daughter Nazmiye, and sons Sinan and Buğra amazement, Namzet underwent a seemingly big change that caused him to forego his stingy ways for generosity instead.
Thanks to the aforementioned change, there will be a chain of interesting events that will keep the viewer hooked and entertained as Nazmiye's life will once again intersect with Osman, his former partner and greatest enemy.
Kukla, Fran and Ollie is an early American television show using puppets, originally created for children but soon watched by more adults than children. It did not have a script and was entirely ad-libbed. It aired from 1947 to 1957.
A story is told about the life of city citizens who encounter humorous and funny situations. Each episode of this series is full of comedy moments and funny moments that are presented by the talented actors.
Rishabh and Surbhi, two young individuals, find themselves at the crossroads of an arranged marriage. The story unfolds in two timelines: one in Mumbai, in the past, and another in Madhya Pradesh, where their families meet. In Mumbai, they find themselves alone in his room due to the lockdown, creating a pivotal moment in their relationship. In the present, Rishabh is hesitant to reveal his past with Surbhi to their families, his being a much more traditional one, fearing disapproval.
Ever wanted to go back and thank someone - a parent, a teacher or a friend? "Professional Finders" Mike Schario and Jesse Brown do just that. From their memorabilia shop, Finders Keepers, these treasure hunters are hired to track down long lost, but much loved, items. Old war memorabilia, antique clocks, & one of a kind bikes aren't too hard for these finders of lost objects.
At age 12, in the twilight of the Chinese Civil War, GAO Bing-han followed the Nationalist government in their exodus to Taiwan under his mother’s orders. Now, in his 80s and a lawyer, GAO encounters three mothers in his work. The first is HONG, who tolerates her son’s violence. The second is JIANG, an indigenous woman who isn’t accepted by her father-in-law. And the last one is XIE, who seems elegant on the surface but is greatly depressed due to her family problems. In the midst of dealing with the conflicts of these three, GAO can’t help but sigh: “Did the war really end?”