Hyunhaetan Marriage War is co-production between South Korea and Japan. Dae-cheon and Takako are lovers who decide to get married. However, Dae-cheon's father, who is a fishing boat captain, dislikes the Japanese while Takako's father has an unfavorable opinion of Korea. So Dae-cheon teaches Takako how to talk in a heavy, folksy Korean accent and tells her to limit what she says to his father to only four words. He then introduces Takako to his father under the name "Choi Do-ja", which is a girl's name in Korea. Thinking that Takako is Korean, his father approves of their marriage. But later on, Dae-cheon's father learns that Takako is Japanese and becomes infuriated.
Tan Man Neel O Neel delves into the dark abyss of societal intolerance and the unbridled chaos of mob mentality. It masterfully unpacks the grim reality of how unchecked extremism and collective hysteria can spiral out of control, often turning on its very instigators. The story juxtaposes two love tracks—one blossoming in the digital age and the other steeped in nostalgia and providence.
Chef Ainsley Harriott is on a mission to produce maximum flavours in minimum time. Taking inspiration from around the world, he explains how to make wonderful food as quickly as possible.
Knights of God was a British science fiction children's television serial, produced by TVS and first broadcast on ITV in 1987. It was written by Richard Cooper, who had previously worked in both children's and adult television drama.
In 2020, Britain is ruled by the Knights of God, a fascist religious order – founded by the Prior Mordrin – that came to power during a brutal civil war that began in 2000, during which the Royal Family were supposedly all slaughtered by Brother Hugo and the civilian government collapsed, leaving the Knights free to step into the power vacuum.
In 1949, a girl disappears from an isolated house in the Black Forest. Fifty years later, another girl disappears. Now, in the present, the ghosts of the past step out of the shadows once more.
Set in a world where emotions run deep and power defines fate, Ghulam Bashah Sundri is a gripping drama of love, rivalry, and control. As relationships are tested and loyalties begin to fracture, desire turns into conflict and hearts become battlegrounds. At the center lies a compelling love triangle that draws each character into an intense emotional, social, and personal reckoning, where every choice carries consequences.
"Who is Pom Pom? How come you don't know me? Hoo! Nobody really knows me, because sometimes I'm like this, sometimes I'm like that. I can change my shape amazingly: if I want, I am like a fur patch, or a wig, or one-finger fur gloves turned inside out, or a room-painting scrub, or a cotton tassel on the toe of a slipper. Now I look most like a fur hat, sitting on the branch, a nice long branch, up-heh-heh-heh, down-heh-heh-heh, as a breeze sways the branch..."