The Dooley and Pals Show, sometimes shortened to just Dooley and Pals, is an American children's television series.
The main character is Dooley, a friendly alien who has landed in a backyard on Earth. He explores the planet with the children of the neighborhood as his guides. The show is meant to teach moral values and educational basics to children ages 2–5. Dooley was originally played by Ken Jones. Jones served as the head writer for the series as well as the voice for Dooley and other characters including Coach and Cosmos. Suzanne Fitzpatrick, 7th Heaven, served as the supervising producer during the development of the series at Disney/MGM Studios transitioning Dooley from the original 'dinosaur' concept to the space boy.
There are two versions of this show: The Dooley and Pals Show, and The Dooley and Pals Show Children's Ministry. The main content of the shows—storylines, lessons, and themes—are identical; the only difference is that in the "Children's Ministry" version, the "Fun Facts" s
Presented by real-life doctor, Ranj Singh, Get Well Soon helps young children learn about how to keep healthy. Each show is based around children's experiences of going to the doctor, through the eyes of five loveable puppet children.
In the new Ketnet program "De Oppasbende" (The Babysitting Gang), Nona, Emma, Thomas, and Lee set out to babysit at Ketnetters' homes! What could possibly go wrong?
Drawing on themes found throughout Charles Schulz’s iconic comic strips, Take Care with Peanuts promotes three vital messages of caring: Care for yourself. Care for each other. Care for the Earth.
Welcome to How to Squoosh?, the "live" TV show that squooshes, crushes and flattens monsters and everything that scares kids, big and small. Witches, ogres, ghosts and hairy monsters of all kinds better hold on if they don’t want to end up flatter than a pancake.
This three part French TV serial for children (alternate versions exist as a feature, Manoel’s Destinies, and a 4 part Portuguese TV serial, Adventure in Madeira) is the favourite of many devotees of Raúl Ruiz. This is because it ties the enchantment and mystery of Lewis Carroll, Carlo Collodi and the Brothers Grimm to the filmmaker’s experiments with narrative strategies and what he calls the pentaludic model of storytelling (where characters are thrown dice-like into combinations and situations governed by the play of Chance and Destiny).