3-2-1 Contact Extra is a collection of documentary‑style specials produced by the Children’s Television Workshop as an extension of the science series 3‑2‑1 Contact. Aired between 1989 and 1992, the specials were designed for older children and teenagers, tackling real‑world issues through science, personal stories, and expert insight. Each episode focused on a single topic—ranging from public health and environmental challenges to adolescence and social pressures—using interviews, on‑location reporting, and first‑person narratives. The series aimed to help young viewers understand complex subjects with clarity, honesty, and practical relevance.
Set in the imaginary world of Nowhere Land a brave and smart girl named Maggie and her two friends the rather cuddly misnamed Beast and the very particular pig Hamilton Hocks show preschoolers that friendship makes everything more fun! Foster your child's curiosity and problem-solving skills with these episodes: Picnic Time, Recipe For Trouble, The Lemonade Stand, The Big Carrot, A Visit to Cake Town, and The Big Hat.
Chucklewood Critters is an American line of television specials and an animated TV series created by former Hanna-Barbera animators, Bill Hutten and Tony Love, which centered on two woodland animals: Buttons, a young bear cub, and Rusty, a fox cub. It started as a Christmas special in 1983 called The Christmas Tree Train, followed by eight more holiday/seasonal specials. In 1997 it was developed into a series entitled The New Chucklewood Critters, which ran for two seasons.
Inside/Out is a 1970s educational television series.
The show was produced in 1972 and 1973 by the National Instructional Television Center, in association with various contributing stations, such as KETC in St. Louis, Missouri, WVIZ in Cleveland Ohio, WNVT-TV in Northern Virginia, and The Ontario Educational Communications Authority. It was one of the last programs to be produced by NIT; the organisation would be reformulated as the "Agency for Instructional Television" in April 1973.
Funding for Inside/Out was provided by grants from 32 different educational agencies within the USA and Canada, with additional support from Exxon Corporation.
It was the first Polish television show intended for bedtime. Featuring finger puppetry, the show centers on the young siblings Jacek and Agatka who explore children's topics and curiously crafted ideas