On an arid planet, the TARDIS trio encounter the Drahvins and the Rills; two species stranded on a planet doomed to explode. Both need the Doctor's help, but the Drahvin leader, Maaga, wants only her people to make it out alive.
The Day After Tomorrow is a 1975 British science-fiction television drama produced by Gerry Anderson between the two series of Space: 1999. Written by Johnny Byrne and directed by Charles Crichton, it stars Brian Blessed, Joanna Dunham and Nick Tate, and is narrated by Ed Bishop. It first aired in the United States on NBC, as an episode of the children's science education series Special Treat, in December 1975. In the UK, BBC1 broadcast the programme as an independent special in December 1976, and again in December 1977. The plot of The Day After Tomorrow relates to the interstellar mission of Altares, a science vessel of the future that can travel at the speed of light. Departing from its original destination, Alpha Centauri, Altares moves deeper into space and her crew of three adults and two children encounter phenomena such as a meteor shower, a red giant star and, finally, a black hole, which pulls the ship into another universe.
Originally commissioned to produce a child-friendly introduction to Albert Einst
A world where the supernatural is totally mundane and the existence of ghosts, ghouls and werewolves are part of everyday life. But what happens when you're bothered by some supernatural nuisance? You call The Demonologist.
Atlas is determined to set off for the stars, but things take a wild turn when her attempt to steal a starship doesn’t go as planned. After mysteriously getting tossed across universes, Atlas and Atmosphere have no choice but to team up together if they ever want to make it off of the strange dying planet, Quasonia.
To save the Realm of Gorm from the evil Lord Graven, four teenage Earthlings are trained by the Guardian of the Temple Myridell to master their elemental powers and summon their Warrior Spirits, the legendary Gormiti.
Six years after the defeat inflicted on Qilby by Yugo and his team, tears flow again in Amalia's kingdom. To prevent this, the heroes must find the six missing Dofus.
Six stories about life in Russia in the near future and the problems of human interaction with advanced technologies: a girl decides to have a serious conversation with her boyfriend, but encounters his clones; a literature teacher finds an unusual way to interest students in Russian classics; Vsevolod pretends to be a domestic robot; a guy makes confusion in the relationship of his girlfriend's digitized parents; a lawyer is forced to defend the accusedabout the murder of an artificial intelligence coffee machine; after losing his job, a former courier hunts for food delivery robots.
Phat, a young aristocrat from Bangkok, is sent north on a political mission but, after a mysterious lunar eclipse, awakens in the present day. There, he meets Namping, a free-spirited musician deeply rooted in Lanna culture. Between two worlds and under the gentle sound of the salo, Phat embarks on a journey of newfound freedom and feelings he never knew existed in his time.
The peerless powerhouse Jingyang Zhenren was ambushed during his ascension to immortality. On the verge of annihilation, he reforged his body and reincarnated as the youth Jing Jiu. In this new life, he embarks on the path of cultivation with an aloof demeanor, coldly dismantling sect power struggles while investigating the truth behind his failed ascension. What began as a journey of vengeance ultimately unfolds into a predestined chess game spanning time and space.
In a world where technology pulls people further apart, what if a computer could learn, could make decisions based on an emotion response? Welcome to the world of Wireless, which sees disgraced police officer Jacob Crow played by Andrew Lee Potts (Primeval, Alice, Band Of Brothers) partnered with a state-of-the-art artificial intelligence known as Unit White Voiced by Lucy Brown (Harvest, The Village). Together Crow and White must navigate a city rife with corruption and criminals all of whom want to get their hands on this cutting edge piece of tech. Wireless is shot in a unique and immersive style, with high production values, allowing the audience to be closer to Crow and White than most shows dare. With the whole world online, who is watching and who can we trust?