A supernatural, quirky comedy about Maggie and her recently deceased friend, Adam. Only Maggie and can see and hear Adam, which can create some pretty awkward situations for Maggie, and Maggie's a girl who needs no help with awkward.
Not many people can see the dead (not many would want to). 12-year-old Johnny Maxwell can. And he's got bad news: the council want to sell the cemetery as a building site. But the dead have learnt a thing or two from Johnny. They're not going to take it lying down... especially since it's Halloween tomorrow.
A regular Nanjing high school student, Bai Yang, accidentally connects via a mysterious radio to a post-apocalyptic world twenty years in the future, where humanity has vanished. Through this eerie link, he encounters Ban Xia, the last surviving human in Nanjing—a lone, isolated girl. As their cross-temporal bond deepens, their shared faith and determination transform their solitary struggle into a united force. Together, across time and space, they uncover the tragic truth behind humanity's extinction and lead a courageous, bittersweet rebellion to redeem the fate of humankind.
In a world where being invisible is the norm, fainthearted Kurtulus finds himself in the middle of an explosion that would turn him visible, which set by the villain boss Esref Serif.
After lengthy discussions with Willy Vandersteen, the artist of the comic strip, this series was put into production in 1973. This happened in collaboration with the Flemish actor and producer Wies Andersen. Instead of adaptations of the existing comics, six new stories were chosen. The puppets were given multiple facial expressions and the sets and props were made based on detailed designs by Studio Vandersteen. Lambik always acts as narrator. A striking difference with the comics is that Jerom's doll now has its eyes open.
A sci-fi comedy series satirizing Japanese Kaiju Movies and Tokusatsu TV shows of the 1960s and 1970s. Using only effects from that time period - bad rubber monster suits, spaceships on strings, miniatures and hokey scripts and dialogue - Ginormo pays homage to a period of craftsmanship before CGI came onto the scene. Presented as a lost sci-fi series from 1972 that was never aired because it was so bad, Ginormo lovingly and humorously pays tribute to a by-gone era in the form of a ridiculous meta comedy that can be enjoyed by young and old alike. Created by two AAPI writer/producer/directors - Ken Mok (Joy, Invincible, America's Next Top Model) and Youtube star Steven He, Ginormo also showcases a primarily AAPI cast - a talent base that's historically been under-represented in film and television.
The series follows Chrono, a 14-year-old boy who is a member of the Space-Time Police Special Forces Unit called a “Rewinder.” The organization uses its “Retry Eye” to save people who have already died, using future knowledge to repeatedly go back in time to get to a future where the victim is alive and well.