Hong Se Yeon works as a personal shopper. She is outgoing and a positive person, but she is betrayed by people whom she loved. She begins to take revenge on those who betrayed her. Meanwhile, Eun Kyung Hye is the only child of a CEO. Her life looks perfect, but she has a fear that she will get abandoned. Because of her fear, she has an impulse control disorder and gets compulsive.
Wanida, the strong-willed daughter of a loan shark, is thrust into an arranged marriage with Prajuab, a kind-hearted man from a prestigious family, after his brother’s unpaid debt leaves him as a reluctant replacement groom. Bound by obligation and mutual dislike, the two opposites enter a chaotic marriage that slowly challenges their prejudices and forces them to confront whether love can emerge from circumstance.
In the midst of Shouwa era Japan, greed runs rampant through the bustling cities and communities of the nation. King of Hell Enma Daiou summons an envoy into his office in the form of a small boy named Kurayami Santa. Through Enma's debriefing, Santa learns that the amount of greed and selfish behavior produced by humans will soon create an enormous wave of souls entering into Hell simultaneously, which would be catastrophic for Hell itself.
Santa is given one mission: do something about it. With neither guidelines nor rules, Santa is tasked to handle the situation as he sees fit. In the human world, a rampaging thunderstorm strikes a nearby cemetery with a bolt of lightning, and the envoy of Hell appears.
Teleported into the human world, Santa quickly realizes that humans are just as wicked as Enma had described. Without upsetting the balance between light and dark, Santa begins his quest to complete the mission from Hell and restore order to the human world.
Guddi is a young girl who lives a happy life with her parents. Unbeknownst to them, she can see premonitions. However, her ability soon turns into a nightmare when she foresees her parents' death, and it tragically comes true. After losing them, Guddi finds shelter with her uncle and aunt, but they oppress her. In her toughest moments, she prays for help and receives it most unexpectedly-from a doll, the last gift her parents gave her. As the doll assists Guddi through her toughest times, others begin to learn of its power.
Marido En Alquiler is a Spanish-language telenovela produced by United States-based television network Telemundo Studios, Miami and Brazilian Rede Globo. It is a remake of the Brazilian telenovela, Fina Estampa, although the working title for the project was Reina Madre.
Sonya Smith and Juan Soler star as the protagonists, marking the latter's debut with Telemundo after signing an exclusivity agreement with the network in 2013, with Maritza Rodríguez and Miguel Varoni star as the main antagonists.
Miguel loses his wife Maria in a tragic car accident just hours after getting married. However, Maria's heart will continue to beat on another woman's body. The transplant that marks the death of María will also be synonymous of Elisa's new life.
Pratigya, an educated girl has to stand up against various atrocities in her marital home, even as she falls in love with her husband Krishna, a local goon.
Pedro, unhappy in his marriage of convenience, falls in love with Vera during a business trip. After his father blackmails him into breaking Vera's heart, fate brings the two together again years later.
Krinka and Lola Brankovic are two sisters in their early twenties, both very attractive and interesting although completely different. Krinka is reserved; she likes daydreaming and is not much interested in loving relationships. Lola is her total opposite she remained widow young but still has a lot of desire for life and likes meeting different men. One summer, the two of them together with their mother go on a boat trip to Venice, and the island of Rab. That summer, Krinkas encounter with Dubravko, and Lolas with Zarko will forever change their lives.
The experiences of a group of young people interned at the Life Institute of Knowledge and Evolution (LIKE), a prestigious and cosmopolitan educational institution, with a supposedly modern and open educational system, but in reality it is deeply traditional and schematic.