English comedian, actor, presenter and writer Jack Peter Benedict Whitehall challenges his best mate, former professional footballer Jamie Redknapp to put together his own World Cup team of eleven. Instead of collecting stickers, Jack sends Jamie off to build his World Cup team by collecting real-life meetings with real-life football stars. Jamie and his father, Harry, travel across the United Kingdom and Europe, getting acquainted with some of the biggest names in football, all in anticipation of World Cup Qatar 2022.
Host Laverne Cox dives into powerful conversations with today's most influential talent. Laverne helps reveal fresh perspectives, inspiring stories of adversity, and the driving force behind today's most fascinating celebrities.
Oprah's Master Class is an Emmy-nominated primetime television program that airs on the OWN: Oprah Winfrey Network. The series premiered on the network's first day, January 1, 2011, with rapper and songwriter Jay-Z.
The live after-show for The George Lucas Talk Show, where they discuss and dissect the latest episode along with cast members, producers, fans and actors.
Orson Welles' Sketch Book is a series of six short television commentaries by Orson Welles for the BBC in 1955. Written and directed by Welles, the 15-minute episodes present the filmmaker's commentaries on a range of subjects. Welles frequently draws from his own experiences and often illustrates the episodes with his own sketches.
The Bob Monkhouse Show was an entertainment show presented by Bob Monkhouse.
The show celebrated the art of comedy and comedian guests were invited to perform a stand-up. The programme began in 1983 and ran for three series until 1986. A number of notable guests appeared on the show, such as Joan Rivers, Janet Brown, Jim Carrey and Peter Cook.
In the eight-part program U3000 (2000), broadcasted by the music station MTV, Schlingensief assumes the role of the presenter who hates himself for his self-love disguised as telegenic selflessness. Common broadcasting formats are all being ridiculed without exception. A socially needy family can qualify for participation by winning the always same outside bet, in order to make their private fate public in front of a running camera and in the presence of passengers in the moving subway. Childlike rounds of games give them the opportunity to improve social welfare, critically watched by a jury made up of the handicapped actors from Schlingensief's ensemble. Aged show stars like Maria and Margot Hellwig, Christian Anders or Roberto Blanco are used in a talk-show wagon as cheap fodder and are forced to show compassion with such victims of the market economy. The bands of the MTV generation (Atari Teenage Riot, Surrogat, Söhne Mannheims and others) play in the dance wagon.