Yale Courses - This course approaches the New Testament not as scripture, or a piece of authoritative holy writing, but as a collection of historical documents. Therefore, students are urged to leave behind their pre-conceived notions of the New Testament and read it as if they had never heard of it before. This involves understanding the historical context of the New Testament and imagining how it might appear to an ancient person.
“Salt and Sugar” is the first Syrian work shown on Syrian television in 1973 during the month of Ramadan, and its events take place inside the prison when the social worker (Sabah Al-Jazairi) visits the prison to search for the cause of the prisoners’ delinquency, and (Dhiab Mashhour) sings the song “Alamaya,” and remembers Ghawar Al-Tosha (Duraid Lahham) is his mother and longs for life outside the bars. He sings his famous songs “Lou Lou Lou” and “Oh my beloved woman, ya mo.” The artist Dhiyab Mashhour also sings “Ya Abourdin.” The artist Taroub also presented two songs, “Tik Tok,” as part of a competition organized by Hosni. Al-Borzan (Nihad Qalai) inside the prison, through a Syrian comedy act starring Duraid Lahham and Nihad Qalai, in collaboration with Yassin Bakoush, Naji Jabr, Najah Hafeez, Abdul Latif Fathi Sabah Al-Jazairi and others, and the work is directed by Khaldoun Al-Maleh.
In the eight-part program U3000 (2000), broadcasted by the music station MTV, Schlingensief assumes the role of the presenter who hates himself for his self-love disguised as telegenic selflessness. Common broadcasting formats are all being ridiculed without exception. A socially needy family can qualify for participation by winning the always same outside bet, in order to make their private fate public in front of a running camera and in the presence of passengers in the moving subway. Childlike rounds of games give them the opportunity to improve social welfare, critically watched by a jury made up of the handicapped actors from Schlingensief's ensemble. Aged show stars like Maria and Margot Hellwig, Christian Anders or Roberto Blanco are used in a talk-show wagon as cheap fodder and are forced to show compassion with such victims of the market economy. The bands of the MTV generation (Atari Teenage Riot, Surrogat, Söhne Mannheims and others) play in the dance wagon.
Jason Kelce and his guests dissect NFL topics and storylines, mainly focused on that weekend’s games, in both conventional and good-humoredly unconventional approaches including active participation from the fans in attendance.