Kota's world just got turned upside down. His dad's remarriage meant a new stepsister, Aika, and from their first encounter, it's clear she's everything he isn't. By day, Aika effortlessly plays the "perfect angel" for her parents, but behind closed doors, she's a cheeky teenager, a complete mismatch for Kota. Their personalities clash violently, sparking arguments the moment their eyes meet. They might just be the world's worst siblings, locked in a constant battle of wills. Despite an incredibly rocky start, a subtle shift begins. Beneath Aika's wild exterior, a flicker of interest starts to grow for her caring brother.
The story of Rosaline incorporates LGBT themes in a fun, fairytale adventure through the woods. To find her sweetheart, Rosaline must first get by a tricky witch, a hungry wolf, and a well-intentioned fairy godmother!
Beany and Cecil first appeared as a hand puppet TV show in the late 40's created by Bob Clampett. It later became an animated cartoon series under the Warner Brothers aegis. The puppet show, entitled Time for Beany, originally aired in 1949, with the animated series first appearing in Matty's Funday Funnies in 1959, later renamed Matty's Funnies with Beany and Cecil and finally Beany and Cecil in the USA. Another season was produced in 1988. In its original form of hand puppets, the show conveyed a greater sense of personal communication than did the animated series which followed. The hand puppets were extensively marketed and did well as a merchandising function.
Snip and Snap was a 1960 British animated series from Halas & Batchelor. It was directed by the Danish paper sculptor Thok Søndergaard and John Halas. It featured the exploits of a dog made of paper and pair of scissors.
Pale Force was a series of short animations starring Jim Gaffigan that aired on Late Night with Conan O'Brien. Its humor was derived from "paleness" of both Gaffigan and O'Brien, as well as from portraying Conan as a weakling to poke fun at the real-life TV host on his own show. The animation was done by New Yorker cartoonist Paul Noth, and the original music was done by Patrick Noth.