HairCog follows the lives of young creatives in Pakistan, exploring struggles, friendship, and innovation as they navigate personal and professional challenges.
Monkey,Monk and the Monsters Go West is a Chinese novel published in the 16th century during the Ming dynasty and attributed to Wu Cheng'en. It is one of the Four Great Classical Novels of Chinese literature. In English-speaking countries, the work is widely known as "Monkey", the title of Arthur Waley's popular abridged translation.
The satirical film magazine Mozalan (The Gadfly) was founded in 1971 at the Azerbaijanfilm film studio named after Jafar Jabbarli. To date, more than 180 issues of the film magazine have been published, each containing 3-4 stories. The stories can be fictional, documentary, and even animated. The aim of the satirical film magazine Mozalan is to combat negative situations and convey the shortcomings of society to the people through the language of satire. The main style of work of the Mozalan film crew was to suddenly appear at manufacturing enterprises, capture shortcomings, and convey them to the people.
Rooted in Chinese folkloric tradition, it features the exploits of twelve heroic contenders for the celestial assignment of "Keepers of the Earthly Realm", winning them a place in the Chinese Zodiac.
Cassie's father gets kidnapped by space pirates. She is determined to find him and she enlists the aid of the only bounty hunter she can afford, a talking blue hamster named Marion. They have an odd-couple style relationship and travel the universe together in search of her father.
Maya, Kurusu, and Chelsea hit it off really well when trying to get revenge on Guardian Hearts for making them suffer. Maya and company thought that Guardian Hearts usually appears when Kazuya is getting along with a girl. Not knowing that Guardian Hearts is actually Hina, they leave her alone with Kazuya in an attempt to lure out Guardian Hearts.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Kotya and Katya are two little kittens, brother and sister. Kotya is smart and sensible, and little Katya is a cute fidget. They love miracles and adventures, and a toy box helps them with this, in which you can find anything. Kotya and Katya go on wonderful journeys, using their motto "Kitties, go!", but always return home, to their beloved and loving parents.
Six cash-strapped adventurers embark on a quest to collect hot spring water to re-pay their debts in this lampooning of classic Dungeons and Dragons-style video games. The party gets involved with a plot involving a white dragon who demands a human sacrifice every 10 years, and an evil mind-controlling mage.
Due to Jeffrey and Sara’s abnormally large heads and faces, they’re the two noisiest and clumsiest people in the world - much to the dismay of everyone around them!