MAGAZINE - Sherlock Holmes, Commissioner Maigret, Nero Wolfe, Father Brown, Philo Vance: the writers Massimo Carlotto, Giancarlo De Cataldo, Giampaolo Simi and Valerio Varesi tell the great classic detectives in the Rai dramas - by AAVV 2020 ITA
Centered around the Heritage Crime Unit, a police department consisting of art loving DI Mick Palmer and straight-talking DC Shazia Malik. Together, they solve murders connected to the world of art and antiques, from Old Master paintings, to Banksy street art, medieval manuscripts and collectible vinyl.
Renowned psychiatrist Dr. Al Carlisle's captivating inmate tapes with some of America’s most heinous killers helped him discover what drives a seemingly normal person to become obsessed with murder, exhibit violent tendencies and psychopathic behaviors.
Take a chilling look inside the homes of actual killers and meet their families. Also, get a peek at their prisons to hear from killers themselves, resulting in powerful, unsettling and contentious encounters.
Investigation Discovery joins forces with reporters from People magazine to tell stories of high-end fashion icons and their couture crimes that captured headlines. The adage"if looks could kill" takes on entirely unique meaning in the series, which grants People's journalists exclusive access beyond the catwalk to reveal that fashion can sometimes be fatal. The hourlong tales of depravity, obsession, and family betrayal in the fashion world all have a common thread -- cold-blooded murder.
In 2000, rookie prison guard Luo Weimin uncovers evidence linking convicted murderer Wang Guoyan to several unsolved cases. Eager to make his mark, he teams up with fellow guard Zhao Zhonghe to investigate, only to fall into a deadly trap. As mysterious deaths occur around them, a tense, decade-spanning investigation ensues.
“Accused: Did I Do It?” follows the stories of individuals who are facing charges for serious offenses such as first-degree murder, manslaughter, domestic terrorism, and aggravated assault. Every piece of evidence may lead to an answer, but the truth is never quite clear until the final moment of reveal.
Two decades later, Daniel ventures out in search of some politically sensitive photographs of the Dumurjhapi refugee camp in 1979, taken by his father Sunil Sarkar, who was a reverend of the Mongla Church. The path leads him into the dark, shadowy history of Dumurjhapi, where foreign agents, greedy businessmen, and power-hungry political figures lie in wait, setting traps for the unwary.