Navy Lt. Tom Farrell meets a young woman, Susan Atwell , and they share a passionate fling. Farrell then finds out that his superior, Defense Secretary David Brice, is also romantically involved with Atwell. When the young woman turns up dead, Farrell is put in charge of the murder investigation. He begins to uncover shocking clues about the case, but when details of his encounter with Susan surface, he becomes a suspect as well.
Unfortunately the movie No Way Out is not yet available on HBO Max.
| Directing | Roger Donaldson | Director |
| Writing | Kenneth Fearing | Novel |
| Writing | Robert Garland | Screenstory |
| Writing | Robert Garland | Screenplay |
| Production | Robert Garland | Producer |
| Production | Mace Neufeld | Executive Producer |
| Production | Laura Ziskin | Producer |
| Sound | Maurice Jarre | Original Music Composer |
| Camera | John Alcott | Director of Photography |
| Editing | William Hoy | Editor |
| Editing | Neil Travis | Editor |
| Crew | Steve Kelso | Stunts |
| Crew | Diamond Farnsworth | Stunts |
| Crew | Michael Adams | Stunts |
| Directing | Herb Adelman | First Assistant Director |
| Directing | Jim Charleston | Second Assistant Director |
| Directing | Brad Yacobian | Second Assistant Director |
| Camera | Mike Benson | Camera Operator |
| Camera | Billy Clevenger | First Assistant Camera |
| Camera | R. Scott Goodrich | Second Assistant Camera |
| Camera | Stephen St. John | Steadicam Operator |
| Camera | Gemma La Mana | Still Photographer |
| Lighting | Bobby Burton | Gaffer |
| Lighting | Charles Smock | Electrician |
| Lighting | Michael Arvanitis | Electrician |
| Camera | David Fay | Key Grip |
| Camera | David L. Merrill | Dolly Grip |
| Camera | Gary Jensen | Grip |
| Lighting | Peter Davidian | Rigging Gaffer |
| Art | Richard McKenzie | Set Designer |
| Art | Henry Alberti | Set Designer |
| Art | Bruce A. Gibeson | Set Decoration |
| Art | Cal DiValerio | Construction Coordinator |
| Art | Dave Newhouse | Greensman |
| Sound | Jack Solomon | Sound Mixer |
| Sound | Paul Wolfe | Boom Operator |
| Directing | Doris Grau | Script Supervisor |
| Art | Horst Grandt | Property Master |
| Costume & Make-Up | Lynda Gurasich | Hairstylist |
| Costume & Make-Up | Michael Hancock | Makeup Artist |
| Crew | Diamond Farnsworth | Stunt Coordinator |
| Crew | Jack Monroe | Special Effects |
| Crew | Terry D. Frazee | Special Effects |
| Crew | Russell McEntyre | Transportation Coordinator |
| Crew | Wayne Stone | Transportation Captain |
| Crew | Anthony DiMarco | Post Production Supervisor |
| Editing | Chip Masamitsu | Assistant Editor |
| Editing | Ron South | Assistant Editor |
| Sound | John Wilkinson | Sound Re-Recording Mixer |
| Sound | Richard D. Rogers | Sound Re-Recording Mixer |
| Sound | Charles Grenzbach | Sound Re-Recording Mixer |
| Sound | Richard Raderman | Sound Effects Editor |
| Sound | Eric Lindemann | Sound Effects Editor |
| Sound | Bob Cornett | Sound Effects Editor |
| Sound | Allan Schultz | Foley Editor |
| Sound | Warren Chadwick | Dialogue Editor |
| Sound | Jeff Carson | Music Editor |
| Sound | Jim Harrison | Music Editor |
| Production | Richard Liebegott | Production Coordinator |
| Production | Sam Bernstein | Production Accountant |
| Production | Stuart Neumann | Location Manager |
| Production | Robert Lansing Parker | Extras Casting |
| Art | Pablo Ferro | Title Designer |
| Production | Glenn Neufeld | Associate Producer |
| Production | Ilene Starger | Casting |
| Art | J. Dennis Washington | Production Design |
| Art | Anthony Brockliss | Art Direction |
| Production | Mel Dellar | Unit Production Manager |
| Crew | Donna Evans | Stunts |
