Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
Unfortunately the movie Back to the Future is not yet available on HBO Max.
| Editing | Arthur Schmidt | Editor |
| Production | Mike Fenton | Casting |
| Camera | Dean Cundey | Director of Photography |
| Editing | Harry Keramidas | Editor |
| Production | Judy Taylor | Casting |
| Production | Jane Feinberg | Casting |
| Directing | Robert Zemeckis | Director |
| Art | Lawrence G. Paull | Production Design |
| Production | Bob Gale | Producer |
| Sound | Alan Silvestri | Original Music Composer |
| Production | Neil Canton | Producer |
| Crew | Spiro Razatos | Stunts |
| Crew | Robert Schmelzer | Stunts |
| Crew | Bob Yerkes | Stunts |
| Crew | Per Welinder | Stunts |
| Crew | Jimmy Corona Rooney | Stunts |
| Crew | Bernie Pock | Stunts |
| Crew | John-Clay Scott | Stunts |
| Crew | Max Kleven | Stunts |
| Crew | Loren Janes | Stunts |
| Crew | Richard E. Butler | Stunts |
| Production | Frank Marshall | Executive Producer |
| Writing | Bob Gale | Writer |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Production | Kathleen Kennedy | Executive Producer |
| Production | Steven Spielberg | Executive Producer |
| Writing | Robert Zemeckis | Writer |
| Costume & Make-Up | Deborah L. Scott | Costume Design |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Art | Todd Hallowell | Art Direction |
| Art | Hal Gausman | Set Decoration |
| Sound | Charles L. Campbell | Supervising Sound Editor |
| Sound | Bones Howe | Music Supervisor |
| Sound | John A. Larsen | Sound Editor |
| Editing | Barbara Palmer Dixon | Assistant Editor |
| Camera | Clyde E. Bryan | First Assistant Camera |
| Sound | Robert R. Rutledge | Supervising Sound Editor |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Camera | Raymond Stella | Camera Operator |
| Production | Jack Grossberg | Unit Production Manager |
| Costume & Make-Up | Julie Starr Dresner | Set Costumer |
| Production | Dennis E. Jones | Unit Production Manager |
| Costume & Make-Up | Elizabeth Rabe | Hairstylist |
| Costume & Make-Up | Robert Iannaccone | Costume Supervisor |
| Costume & Make-Up | Brian Callahan | Costume Supervisor |
| Crew | Walter Scott | Stunt Coordinator |
| Crew | Arthur F. Repola | Post Production Supervisor |
| Art | Drew Struzan | Other |
| Sound | Huey Lewis | Songs |
| Sound | Alan L. Nineberg | ADR Editor |
| Directing | Pamela M. Eilerson | Second Assistant Director |
| Camera | Ronald Woodward | Key Grip |
| Camera | Dic Alexander | Grip |
| Crew | Brad Jeffries | Choreographer |
| Lighting | Albert Hood | Electrician |
| Sound | Takeo Ogawa | Sound Designer |
| Crew | Bonne Radford | Production Controller |
| Visual Effects | Ellen Lichtwardt Goodchild | Visual Effects |
| Crew | Al Gaynor | Scenic Artist |
| Sound | James B. Campbell | Orchestrator |
| Production | Leanne Moore | Production Accountant |
| Art | John Zemansky | Property Master |
| Crew | John Feinblatt | Transportation Coordinator |
| Sound | Earl Sampson | Boom Operator |
| Directing | David McGiffert | First Assistant Director |
| Editing | Terry Hager | Color Timer |
| Sound | Lawrence Jordan | Assistant Sound Editor |
| Sound | Kenneth Karman | Music Editor |
| Sound | John Roesch | Foley |
| Visual Effects | Kevin Pike | Special Effects Supervisor |
| Art | Ernest Depew | Construction Coordinator |
| Crew | Ramon Pahoyo | Craft Service |
| Crew | Marsha Robertson | Unit Publicist |
| Production | Paul Pav | Location Manager |
| Art | Cameron Birnie | Set Designer |
| Production | Laurie Vermont | Production Coordinator |
| Art | Tim Stadler | Painter |
| Art | Dick Lasley | Production Illustrator |
| Crew | Gregory Dultz | Driver |
| Sound | William B. Kaplan | Production Sound Mixer |
| Visual Effects | Charlie Mullen | Animation Supervisor |
| Crew | Charles Croughwell | Stunt Double |
| Visual Effects | Donna K. Baker | Rotoscoping Artist |
| Camera | Richard Babin | Dolly Grip |
| Sound | Darcy Vebber | Utility Sound |
| Camera | Steve Tate | Second Assistant Camera |
| Art | Joe Pfaltzgraf | Assistant Property Master |
| Lighting | Thomas Marshall | Assistant Chief Lighting Technician |
| Editing | Donah Bassett | Negative Cutter |
| Crew | Alexander Xavier Ponce-Bonano | Scientific Consultant |
| Costume & Make-Up | Julie Starr Dresner | Key Costumer |
| Sound | Greg Orloff | Foley Mixer |
| Camera | Ray Gilberti | Assistant Camera |
| Crew | Eric Stoltz | Stunt Driver |
| Sound | Larry Singer | Supervising ADR Editor |
| Production | Rob Stevens | Assistant Production Coordinator |
| Crew | Steven Spielberg | Presenter |
| Directing | Frank Marshall | Second Unit Director |
| Camera | Dan Cooper | Best Boy Grip |
| Art | Nina Saxon | Title Designer |
| Lighting | Mark Walthour | Chief Lighting Technician |
| Production | Warren Franklin | General Manager |
| Crew | Ted Moehnke | Pyrotechnician |
| Costume & Make-Up | Haleen K. Holt | Costume Illustrator |
| Sound | Sonny Pettijohn | Apprentice Sound Editor |
| Sound | Gary A. Hecker | Foley Artist |
| Editing | Michael Moore | Assistant Editor |
| Sound | Alan Silvestri | Conductor |
| Production | Robert R. Draney | Assistant Accountant |
| Visual Effects | Wes Takahashi | Animation Supervisor |
| Crew | Phillip Norwood | Visual Effects Art Director |
