Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito's son and Jessie's grandson, who is bright, good-looking, and without a criminal past.
Unfortunately the movie Family Business is not yet available on HBO Max.
| Writing | Vincent Patrick | Novel |
| Writing | Vincent Patrick | Screenplay |
| Editing | Andrew Mondshein | Editor |
| Production | Lawrence Gordon | Producer |
| Sound | Cy Coleman | Original Music Composer |
| Production | Burtt Harris | Executive Producer |
| Directing | Sidney Lumet | Director |
| Production | Jennifer Ogden | Executive Producer |
| Camera | Andrzej Bartkowiak | Director of Photography |
| Directing | Nathalie Vadim | Second Assistant Director |
| Art | Walter Stocklin | Property Master |
| Sound | Maurice Schell | Supervising Sound Editor |
| Directing | Daniel M. Stillman | Second Second Assistant Director |
| Art | Robert Guerra | Art Direction |
| Art | Gary J. Brink | Set Decoration |
| Lighting | Francis J. McBride | Best Boy Electric |
| Production | Jennifer Ogden | Unit Production Manager |
| Production | Fran Kumin | Casting |
| Art | William F. Reynolds | Leadman |
| Camera | Andrew Priestley | Second Assistant Camera |
| Costume & Make-Up | Gary Jones | Assistant Costume Designer |
| Costume & Make-Up | Joe Cranzano | Makeup Artist |
| Costume & Make-Up | Bob Grimaldi | Hairstylist |
| Camera | Tom Priestley Jr. | Camera Operator |
| Lighting | Michael J. Fabiano | Key Rigging Grip |
| Sound | Peter Odabashian | Sound Editor |
| Costume & Make-Up | Ann Roth | Costume Design |
| Production | Judith Lyn Brown | Production Coordinator |
| Crew | Lilith Jacobs | Post Production Supervisor |
| Editing | Richard J. Rossi | Assistant Editor |
| Sound | Richard P. Cirincione | Sound Editor |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Art | Philip Rosenberg | Production Design |
| Directing | Michael Haley | First Assistant Director |
| Production | Meg Simon | Casting |
| Directing | Mary A. Kelly | Continuity |
| Camera | Norman Buck | Key Grip |
| Sound | Jane McCulley | ADR Editor |
| Camera | Gary Muller | First Assistant Camera |
| Lighting | William Ward | Gaffer |
| Sound | Bruce Kitzmeyer | Sound Editor |
| Sound | James H. Nau | Assistant Sound Editor |
| Sound | Allan Byer | Sound Mixer |
| Camera | James McGrath | Dolly Grip |
| Production | Stephen Danza | Location Manager |
| Camera | John Seakwood | Still Photographer |
| Production | Linda Carolei | Extras Casting |
| Production | Joy Todd | Extras Casting |
| Production | Robert McClung | Location Assistant |
| Crew | Bruce Bahrenburg | Unit Publicist |
| Production | Paul Cremo | Location Assistant |
| Crew | John Leonidas | Transportation Captain |
| Sound | Sonny Kompanek | Orchestrator |
| Production | Dominique Bruballa | Production Accountant |
| Art | Siv Sandstrom | Art Department Coordinator |
