Charlie Lang is a simple, kindhearted New York City cop. When he realizes he has no money to tip waitress Yvonne Biasi, Lang offers her half the winnings of his lottery ticket. Amazingly, the ticket happens to be a winner, in the sum of $4 million. True to his word, Lang proceeds to share the prize money with Biasi, which infuriates his greedy wife, Muriel. Not content with the arrangement, Muriel begins scheming to take all the money.
Unfortunately the movie It Could Happen to You is not yet available on HBO Max.
| Production | Mike Lobell | Producer |
| Editing | Barry Malkin | Editor |
| Sound | Joe Mulherin | Original Music Composer |
| Directing | Andrew Bergman | Director |
| Writing | Jane Anderson | Screenplay |
| Sound | Carter Burwell | Original Music Composer |
| Camera | Caleb Deschanel | Director of Photography |
| Sound | Bitty O'Sullivan-Smith | Dialogue Editor |
| Sound | Jane McCulley | ADR Editor |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Tony Martinez | ADR Editor |
| Sound | Bruce Pross | Foley Supervisor |
| Sound | Gary Alper | Production Sound Mixer |
| Sound | Michael Schmidt | Sound Recordist |
| Sound | Frank Kern | Foley Editor |
| Sound | Dan Korintus | Dialogue Editor |
| Sound | Eliza Paley | Foley Editor |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Michael W. Mitchell | Apprentice Sound Editor |
| Lighting | Richard Quinlan | Chief Lighting Technician |
| Sound | Michael J. Wechsler | Apprentice Sound Editor |
| Sound | Laura Civiello | Dialogue Editor |
| Sound | Marc-Jon Sullivan | Boom Operator |
| Lighting | Greg Quinlan | Best Boy Electric |
| Camera | Mike Miller | Key Grip |
| Crew | Deborah Habberstad | Stunts |
| Camera | Myles Aronowitz | Still Photographer |
| Crew | Peter Bucossi | Stunts |
| Crew | Tim Gallin | Stunts |
| Costume & Make-Up | Suzanne Schwarzer | Assistant Costume Designer |
| Production | Drew Dillard | Assistant Location Manager |
| Art | Robin F. Samson | Location Scout |
| Crew | John Carrafa | Choreographer |
| Crew | Mike Lisenco | Stunts |
| Costume & Make-Up | Timothy Alberts | Costumer |
| Production | Todd M. Thaler | Extras Casting |
| Crew | Thomas Reilly | Transportation Captain |
| Art | Martin Bernstein | Construction Coordinator |
| Editing | David Orr | Color Timer |
| Directing | Robin Squibb | Script Supervisor |
| Crew | Betsy Sokolow-Sherman | Unit Publicist |
| Directing | Julie A. Bloom | Second Second Assistant Director |
| Crew | Al Griswold | Special Effects |
| Production | Christine Sheaks | Casting Associate |
| Crew | Gary Cerveny | Stunts |
| Costume & Make-Up | Lizbeth Williamson | Makeup Artist |
| Crew | Michael Russo | Stunts |
| Crew | Don Hewitt Sr. | Stunts |
| Camera | Patrick McGrath | Dolly Grip |
| Camera | Thomas Jirgal | Best Boy Grip |
| Costume & Make-Up | Alan D'Angerio | Hairstylist |
| Sound | Sonny Kompanek | Orchestrator |
| Crew | Bill Traynor | Special Effects |
| Production | Peter Lombardi | Production Accountant |
| Crew | Steven Arvanites | Stunts |
| Crew | John Cenatiempo | Stunts |
| Crew | Jim Lovelett | Stunts |
| Crew | Jeff Habberstad | Stunt Coordinator |
| Crew | Jeff Levine | Actor's Assistant |
| Sound | Peter Afterman | Music Supervisor |
| Editing | Sam Adelman | First Assistant Editor |
| Production | Mara Hade Connolly | Assistant Accountant |
| Production | Judie Fixler | Extras Casting |
| Sound | Jeffrey Pollack | Music Consultant |
| Production | Diane L. Langone | Post Production Accountant |
| Production | Pamela Thur | Location Manager |
| Production | Betty Chin | Assistant Production Coordinator |
| Crew | Norman Douglass | Stunts |
| Crew | Jeffrey H. Kaufman | Stunts |
| Crew | Suzanne Klein | Stunts |
| Crew | John Patrick McLaughlin | Stunts |
| Crew | Alex Stevens | Stunts |
| Crew | Manny Siverio | Stunts |
| Crew | Jeff Ward | Stunts |
| Crew | Paul Sklar | Stunts |
| Crew | Gary Tacon | Stunts |
| Art | George DeTitta Jr. | Set Decoration |
| Art | Laura Lambert | Art Department Assistant |
| Directing | Michael DeCasper | Second Assistant Director |
| Production | Gary Adelson | Executive Producer |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Production | Joseph Hartwick | Executive Producer |
| Art | Dennis Bradford | Art Direction |
| Production | John S. Lyons | Casting |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Sound | Paul P. Soucek | Sound Editor |
| Camera | Scott Rathner | First Assistant Camera |
| Sound | Warren Shaw | Assistant Sound Editor |
| Sound | Todd Kasow | Music Editor |
| Sound | Thomas S. Drescher | Music Editor |
| Production | Joseph Hartwick | Unit Production Manager |
| Art | Gerald DeTitta | Leadman |
| Camera | Ted Churchill | Steadicam Operator |
| Art | Maria Nay | Art Department Coordinator |
| Art | Bill Groom | Production Design |
| Art | Nicholas Lundy | Assistant Art Director |
| Art | Kathleen Dolan | Assistant Property Master |
| Directing | Henry J. Bronchtein | First Assistant Director |
| Production | Alexis Alexanian | Production Coordinator |
| Camera | James R. Belletier | Second Assistant Camera |
| Production | Craig Baumgarten | Executive Producer |
| Camera | Henry Lynk | Camera Operator |
| Art | Ann Miller | Property Master |
| Production | Douglas Tirola | Location Manager |
| Costume & Make-Up | Francesca Paris | Hairstylist |
| Costume & Make-Up | Melissa Stanton | Costume Supervisor |
| Lighting | Richard Quinlan | Gaffer |
| Camera | Kurt E. Soderling | Aerial Camera |
| Crew | Paul A. Levin | Post Production Supervisor |
| Art | Donald Caruthers | Storyboard Artist |
| Sound | Gary Alper | Sound Mixer |
| Production | David Diamond | Casting Associate |
| Costume & Make-Up | Kevin P. Faherty | Costume Supervisor |
| Art | Nina Saxon | Title Designer |
