In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...
Unfortunately the movie The Barbary Corsairs is not yet available on HBO Max.
Directing | Robert Schotter | Director |
Costume & Make-Up | Claus Grüßner | Makeup Artist |
Sound | Manuel Ernst | Sound |
Lighting | Guenter Berghaus | Gaffer |
Costume & Make-Up | Tanja Holznagel | Makeup Artist |
Production | Bernd Wilting | Producer |
Directing | Sandra Papadopoulos | Assistant Director |
Camera | Michael Kern | Director of Photography |
Writing | Robert Schotter | Writer |
Writing | Christoph Weinert | Writer |
Crew | Peter Allenbacher | Commissioning Editor |
Sound | Armin Siegwarth | Sound |
Editing | Claudia Spoden | Editor |
Production | Isabel Günther | Unit Manager |
Production | Uli Veith | Producer |
Crew | Bernhard Von Dadelsen | Commissioning Editor |
Costume & Make-Up | Julia Hahn | Makeup Artist |
Camera | Jörg Adams | Director of Photography |
Lighting | Patrick Touffexis | Gaffer |
Costume & Make-Up | Anneliese Pulst | Costume Designer |
Sound | Alexander Weuffen | Sound Designer |
Art | Kerstin Barenbrock | Graphic Designer |
Production | Cora Szielasko | Production Manager |
Production | Anja Klisch | Production Manager |
Art | Dennis Duis | Set Designer |
Costume & Make-Up | Freya von Hase | Costume Designer |
Production | Rina Ringl | Production Manager |
Sound | Paul Rabiger | Original Music Composer |
Editing | Holger Hessinger | Color Grading |
Crew | Martina Müller | Editorial Staff |