In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words use by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.
Unfortunately the movie Tora! Tora! Tora! is not yet available on HBO Max.
Directing | Toshio Masuda | Director |
Editing | James E. Newcom | Editor |
Writing | Ryūzō Kikushima | Screenplay |
Editing | Pembroke J. Herring | Editor |
Writing | Ladislas Farago | Novel |
Writing | Gordon W. Prange | Novel |
Editing | Shinya Inoue | Editor |
Production | Darryl F. Zanuck | Executive Producer |
Writing | Hideo Oguni | Screenplay |
Sound | Jerry Goldsmith | Original Music Composer |
Directing | Kinji Fukasaku | Director |
Production | Elmo Williams | Producer |
Writing | Larry Forrester | Screenplay |
Directing | Richard Fleischer | Director |
Art | Norman Rockett | Set Decoration |
Art | Richard Day | Art Direction |
Art | Yoshirō Muraki | Art Direction |
Art | Taizô Kawashima | Art Direction |
Art | Jack Martin Smith | Art Direction |
Art | Walter M. Scott | Set Decoration |
Directing | Duane Toler | Script Supervisor |
Crew | Nick Dimitri | Stunts |
Crew | Charlie Picerni | Stunts |
Costume & Make-Up | Daniel C. Striepeke | Makeup Supervisor |
Costume & Make-Up | Courtney Haslam | Wardrobe Supervisor |
Costume & Make-Up | Layne Britton | Makeup Artist |
Production | Arthur Wildern | Other |
Production | Jack Canary | Other |
Production | Otto Lang | Associate Producer |
Visual Effects | L.B. Abbott | Visual Effects |
Production | E. P. Stafford | Other |
Production | Maurice Unger | Production Coordinator |
Crew | Shinsaku Himeda | Cinematography |
Crew | A.D. Flowers | Special Effects |
Crew | Kuranosuke Isoda | Technical Advisor |
Crew | Masamichi Satoh | Cinematography |
Production | Keinosuke Kubo | Associate Producer |
Directing | David Hall | Assistant Director |
Sound | Arthur Morton | Orchestrator |
Crew | Shizuo Takada | Technical Advisor |
Production | William Eckhardt | Unit Production Manager |
Production | Masao Namikawa | Unit Production Manager |
Costume & Make-Up | Ed Wynigear | Wardrobe Master |
Directing | Hiroshi Nagai | Assistant Director |
Camera | Charles F. Wheeler | Director of Photography |
Visual Effects | Art Cruickshank | Visual Effects |
Production | George Watkins | Other |
Crew | Tsuyoshi Saka | Technical Advisor |
Crew | Osamu Furuya | Cinematography |
Production | Masayuki Takagi | Associate Producer |
Crew | Kameo Sonokawa | Technical Advisor |
Directing | Elliot Schick | Assistant Director |
Production | Stanley Goldsmith | Unit Production Manager |
Production | Theodore Taylor | Production Coordinator |
Production | Jack Stubbs | Unit Production Manager |
Directing | Ray Kellogg | Second Unit Director |
Sound | Herman Lewis | Sound Recordist |
Sound | Douglas O. Williams | Sound Recordist |
Sound | Shin Watarai | Sound Recordist |
Sound | James Corcoran | Sound Recordist |
Sound | Theodore Soderberg | Sound Recordist |
Sound | Murray Spivack | Sound Recordist |