A murder takes place in the shop of David Lyons, a deaf man who fails to hear the gunshot being fired. Outside, blind man Wally Karue hears the shot but cannot see the perpetrator. Both are arrested, but escape to form an unlikely partnership. Being chased by both the law AND the original killers, can the pair work together to outwit them all?
Unfortunately the movie See No Evil, Hear No Evil is not yet available on HBO Max.
Writing | Gene Wilder | Screenplay |
Production | Burtt Harris | Executive Producer |
Writing | Earl Barret | Screenplay |
Writing | Eliot Wald | Screenplay |
Sound | Stewart Copeland | Original Music Composer |
Production | Marvin Worth | Producer |
Camera | Victor J. Kemper | Director of Photography |
Writing | Arne Sultan | Screenplay |
Writing | Andrew Kurtzman | Screenplay |
Editing | Robert C. Jones | Editor |
Production | Arne Sultan | Executive Producer |
Directing | Arthur Hiller | Director |
Production | Earl Barret | Executive Producer |
Directing | Glen Trotiner | Second Assistant Director |
Directing | Mark McGann | First Assistant Director |
Production | Erica Hiller | Associate Producer |
Production | Jody Worth | Associate Producer |
Production | Burtt Harris | Unit Production Manager |
Camera | Michael Stone | Camera Operator |
Directing | Mary Bailey | Script Supervisor |
Sound | Robert Bradshaw | Sound Editor |
Crew | Conrad E. Palmisano | Stunt Coordinator |
Sound | Dennis Maitland | Sound Mixer |
Sound | J.H. Arrufat | Sound Editor |
Editing | Leslie Jones | Assistant Editor |
Art | Gerald DeTitta | Leadman |
Sound | Donald L. Warner Jr. | Sound Editor |
Camera | Ed Quinn | Key Grip |
Sound | James J. Isaacs | Sound Editor |
Lighting | James P. Dolan | Best Boy Electric |
Art | Robert Griffon Jr. | Property Master |
Sound | Gordon Ecker | Supervising Sound Editor |
Sound | Bruce Stambler | Supervising Sound Editor |
Sound | Richard E. Yawn | Sound Editor |
Sound | John Leveque | Sound Editor |
Crew | Susan Alschuler | Unit Publicist |
Camera | Michael Ginsburg | Still Photographer |
Sound | Becky Sullivan | Supervising ADR Editor |
Sound | Joseph T. Sabella | Foley Artist |
Sound | Richard Portman | Sound Re-Recording Mixer |
Sound | Steve Pederson | Sound Re-Recording Mixer |
Sound | Carolyn Tapp | Foley Recordist |
Visual Effects | Al Griswold | Special Effects Supervisor |
Sound | Shawn Sykora | Foley Editor |
Sound | John Roesch | Foley Artist |
Production | Elizabeth Yanoska | Production Accountant |
Production | Sylvia Fay | Extras Casting |
Production | Barbara Harris | ADR Voice Casting |
Costume & Make-Up | Toy Van Lierop | Makeup Artist |
Crew | Edward O'Donnell | Transportation Captain |
Costume & Make-Up | Tony Lloyd | Makeup Artist |
Directing | Conrad E. Palmisano | Second Unit Director |
Crew | Thomas Reilly | Transportation Coordinator |
Sound | Michael Dittrick | Music Editor |
Sound | Mark Smith | Sound Re-Recording Mixer |
Sound | Greg Orloff | Foley Mixer |
Camera | Louis Goldman | Still Photographer |
Costume & Make-Up | Monty Westmore | Makeup Artist |
Art | Scott Gertsen | Construction Coordinator |
Art | Wayne Fitzgerald | Title Designer |
Crew | Glory Fioramonti | Stunts |
Crew | G.A. Aguilar | Stunts |
Crew | Sandy Richman | Stunts |
Crew | Phil Neilson | Stunts |
Crew | Kenny Bates | Stunts |
Crew | Lori Seaman | Stunts |
Crew | Bill Anagnos | Stunts |
Crew | Harry Wowchuk | Stunts |
Crew | James Welch | Stunts |
Crew | Gary Baxley | Stunts |
Crew | Norman Douglass | Stunts |
Crew | Dana Bertolette | Stunts |
Crew | Gary Tacon | Stunts |
Crew | Roy Thomas | Stunts |
Crew | Tom Wright | Stunts |
Production | John J. Healey | Assistant Unit Manager |
Art | Alan Kimmel | Assistant Art Director |
Crew | Jery Hewitt | Stunts |
Crew | Paul Bucossi | Stunts |
Crew | Dick Hancock | Stunts |
Crew | Danny Aiello III | Stunts |
Crew | Greg Wayne Elam | Stunts |
Crew | Roy Farfel | Stunts |
Crew | Rick Seaman | Stunts |
Crew | Deborah Watkins | Stunts |
Crew | Edgard Mourino | Stunts |
Crew | Michael Russo | Stunts |
Directing | Julie A. Bloom | Second Second Assistant Director |
Art | John R. Ford | Assistant Property Master |
Camera | John D. Kennedy | Dolly Grip |
Sound | Michael Hoskinson | Assistant Sound Editor |
Crew | Peter Bucossi | Stunts |
Camera | Bobby Brown | Second Assistant Camera |
Lighting | James 'Packy' Dolan | Gaffer |
Crew | Bill Traynor | Special Effects |
Crew | Connie Brink | Special Effects |
Camera | Jack Brown | First Assistant Camera |
Sound | Gary Blufer | Sound Effects |
Costume & Make-Up | Mark Burchard | Costume Supervisor |
Camera | Tom Gilligan | Best Boy Grip |
Sound | John Michael Fanaris | Sound Effects |
Costume & Make-Up | Lillian Pan | Assistant Costume Designer |
Sound | Gary Parker | Boom Operator |
Crew | Wister Pilling | Craft Service |
Camera | Tom Priestley Jr. | Second Unit Director of Photography |
Production | Annie Stewart | Location Coordinator |
Production | Michael Boonstra | Assistant Production Coordinator |
Production | Rubén Rodríguez | Assistant Accountant |
Production | Suzanne E. Vaucher | Assistant Accountant |
Production | Wendi Haas | Production Office Coordinator |
Costume & Make-Up | Arlene B. Coffey | Costume Supervisor |
Costume & Make-Up | Annie M. DeMille | Hairstylist |
Crew | Wilson Lyle | Craft Service |
Crew | Arne Sultan | In Memory Of |
Directing | Michael Haley | Second Unit First Assistant Director |
Writing | Marvin Worth | Story |
Writing | Earl Barret | Story |
Writing | Arne Sultan | Story |
Production | Lynn Stalmaster | Casting |
Art | James T. Singelis | Art Direction |
Art | Robert Gundlach | Production Design |
Costume & Make-Up | Ruth Morley | Costume Design |
Art | George DeTitta Jr. | Set Decoration |