Miss Havisham, a wealthy spinster who wears an old wedding dress and lives in the dilapidated Satis House, asks Pip's Uncle Pumblechook to find a boy to play with her adopted daughter Estella. Pip begins to visit Miss Havisham and Estella, with whom he falls in love, then Pip—a humble orphan—suddenly becomes a gentleman with the help of an unknown benefactor.
Unfortunately the movie Great Expectations is not yet available on HBO Max.
Editing | Darren J. Perry | Assistant Editor |
Directing | Mike Newell | Director |
Writing | David Nicholls | Screenplay |
Production | Laurie Borg | Co-Producer |
Writing | Charles Dickens | Novel |
Production | Cliff Curtis | Executive Producer |
Production | Jana Edelbaum | Executive Producer |
Production | David Faigenblum | Producer |
Production | Peter Hampden | Executive Producer |
Production | C.C. Hang | Executive Producer |
Production | Ed Hart | Executive Producer |
Production | Zygi Kamasa | Executive Producer |
Production | Elizabeth Karlsen | Producer |
Production | Harrison Kordestani | Executive Producer |
Production | Christine Langan | Executive Producer |
Production | Charlotte Larsen | Executive Producer |
Production | Caroline Levy | Line Producer |
Production | Norman Merry | Executive Producer |
Production | Emanuel Michael | Producer |
Production | Arti Modi | Executive Producer |
Production | Mike Newell | Executive Producer |
Production | Thorsten Schumacher | Executive Producer |
Production | Stephen Woolley | Producer |
Sound | Richard Hartley | Original Music Composer |
Camera | John Mathieson | Director of Photography |
Editing | Tariq Anwar | Editor |
Production | Susie Figgis | Casting |
Art | Jim Clay | Production Design |
Art | Dominic Masters | Supervising Art Director |
Art | Mike Stallion | Art Direction |
Art | Caroline Smith | Set Decoration |
Costume & Make-Up | Beatrix Aruna Pasztor | Costume Design |
Production | Alison Banks | Production Manager |
Crew | Polly Duval | Post Production Supervisor |
Production | David Taylor | Unit Manager |
Production | Miranda Howard-Williams | Casting Assistant |
Art | Carn Burton | Location Scout |
Production | Dan Whitty | Location Manager |
Sound | Karen Elliott | Music Supervisor |
Art | Julia Hall | Title Designer |
Directing | Rowena Ladbury | Script Supervisor |
Production | Eve Swannell | Production Coordinator |
Art | Howard Watkins | Title Designer |
Costume & Make-Up | Jenny Shircore | Hairstylist |
Crew | Nellie Burroughes | Stunts |
Costume & Make-Up | Zoe Clare Brown | Makeup & Hair |
Costume & Make-Up | Nathaniel De'Lineadeus | Special Effects Makeup Artist |
Costume & Make-Up | Hannah Edwards | Makeup & Hair |
Costume & Make-Up | Marc Pilcher | Makeup & Hair |
Costume & Make-Up | Jenny Shircore | Makeup Designer |
Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
Costume & Make-Up | Alex Rouse | Wigmaker |
Costume & Make-Up | Sarah Weatherburn | Wigmaker |
Sound | Ben Cross | Foley Mixer |
Sound | Robert Farr | Sound Re-Recording Mixer |
Sound | Paul Hanks | Foley Artist |
Sound | Alastair Sirkett | Sound Effects Editor |
Sound | Ian Waggott | Foley Artist |
Sound | Ian Wilson | Sound Designer |
Sound | Paul Wrightson | Dialogue Editor |
Sound | Tim Atkins | ADR Mixer |
Crew | Michael Byrch | Stunts |