Rise of the Footsoldier follows the inexorable rise of Carlton Leach from one of the most feared generals of the football terraces to becoming a member of a notorious gang of criminals who rampaged their way through London and Essex in the late eighties and early nineties.
Unfortunately the movie Rise of the Footsoldier is not yet available on HBO Max.
| Writing | Will Gilbey | Writer |
| Directing | Julian Gilbey | Director |
| Writing | Julian Gilbey | Writer |
| Production | Andrew Loveday | Executive Producer |
| Production | David Shead | Producer |
| Production | Ian McIntyre | Producer |
| Sound | Ross Cullum | Music |
| Production | Mike Loveday | Producer |
| Production | Steve Daly | Casting |
| Sound | Sandy McLelland | Music |
| Costume & Make-Up | Hayley Nebauer | Costume Design |
| Production | Julie Dunne | Casting |
| Directing | Scott Bates | First Assistant Director |
| Camera | Ali Asad | Director of Photography |
| Sound | Ben Brazier | Sound Editor |
| Art | Alexandra Toomey | Art Department Assistant |
| Costume & Make-Up | Christine Bateman | Makeup Designer |
| Art | Joshua Osei | Props |
| Art | Madeline Chan | Art Department Assistant |
| Costume & Make-Up | Melanie Szabo | Makeup Artist |
| Crew | Michael Button | Propmaker |
| Art | Maeve Curtis | Art Department Coordinator |
| Art | Ben Green | Construction Manager |
| Production | Claire Kendall-Price | Production Manager |
| Art | Daniela Faggio | Supervising Art Director |
| Art | Matthew Button | Production Design |
| Sound | Jeff Richardson | Dialogue Editor |
| Sound | Lionel Strutt | ADR Coordinator |
| Art | Peter Arnold | Art Direction |
| Sound | Robert Brazier | Foley Editor |
| Sound | Nick Bridge-Butler | Sound Effects Editor |
| Sound | Ross Jarvis | Boom Operator |
| Camera | Brian Udoff | Assistant Camera |
| Production | Amy Clamp | Casting Assistant |
| Production | Anna Kolber | Production Assistant |
| Sound | Mathew Knights | Sound Re-Recording Mixer |
| Lighting | Christian Hayes | Electrician |
| Lighting | Pawel Polak | Electrician |
| Visual Effects | Scott McIntyre | Special Effects Supervisor |
| Production | Julie Dunne | Casting Coordinator |
| Production | Clive Waldron | Production Accountant |
| Sound | Adam Garstone | Sound Recordist |
| Editing | Richard John Taylor | Assistant Editor |
| Production | Emma Maclennan | Post Production Coordinator |
| Production | Emma Maclennan | Production Coordinator |
| Sound | Blair Jollands | Sound Effects Editor |
| Crew | Catherine Hart | Special Effects |
| Lighting | Marc Roodhart | Gaffer |
| Crew | Greg Corke | Armorer |
| Costume & Make-Up | Diana Wyand | Costume Supervisor |
| Costume & Make-Up | Rebecca Gore | Costume Assistant |
| Sound | Rada Danilovic | Sound Effects Editor |
| Editing | Alan Maiden | Online Editor |
| Camera | Tamer Asad | Best Boy Grip |
| Lighting | James Holliday | Electrician |
| Camera | Andy Dorwart | Key Grip |
| Editing | David Fayinka | Assistant Editor |
| Crew | Mike Knights | Special Effects |
| Editing | Kai Van Beers | Digital Colorist |
| Costume & Make-Up | Sarah Pasricha | Assistant Costume Designer |
| Directing | Laure Bregevin | Script Supervisor |
| Production | Clive Trott | Location Manager |
| Crew | Anya Noakes | Unit Publicist |
| Lighting | Rolf Roodhart | Best Boy Electric |
| Camera | Michael Monteiro | Camera Operator |
| Camera | Thomas Asad | Camera Trainee |
| Crew | Rocky Taylor | Stunt Coordinator |
