Despite the anti-Semitic campaign launched by the Polish People's Government in the late 1960s, director Jerzy Hoffman finishes working on the film Pan Wołodyjowski. It becomes the ticket to the production of Potop, the most expensive film in the history of Polish cinematography. During his work, the director not only has to deal with mounting production problems, the distrust of the People's Government, but also with the expectations of millions of Poles.
Unfortunately the movie The Deluge: Postscriptum is not yet available on HBO Max.
| Directing | Łukasz Czajka | Director |
| Camera | Kacper Czubak | Director of Photography |
| Editing | Urszula Klimek-Piątek | Editor |
| Production | Stanisław Zaborowski | Producer |
| Production | Daria Maślona | Producer |
| Camera | Filip Cichecki | Camera Operator |
| Camera | Jędrzej Zator | Steadicam Operator |
| Editing | Mateusz Malinowski | Digital Intermediate |
| Art | Maciej Żądło | Title Designer |
| Costume & Make-Up | Violetta Zakrzewska | Makeup Artist |
| Costume & Make-Up | Karolina Mech | Makeup Artist |
| Sound | Nataliia Demkiv | Dialogue Editor |
| Sound | Tadeusz Chłoń | Sound Effects Editor |
| Editing | Oskar Szymański | Assistant Editor |
| Crew | Tomasz Potocki | Translator |
| Production | Stanisław Zaborowski | Production Manager |
| Production | Dominika Ługowska | Production Manager |
| Production | Justyna Gawełko | Production Coordinator |
| Production | Łukasz Posiadała | Accountant |
| Production | Elżbieta Wojciechowska | Accountant |
| Production | Magdalena Rynkiewicz | Producer |
| Writing | Łukasz Czajka | Screenplay |
| Production | Patrycja Przygoda | Production Assistant |
| Production | Jagoda Dutkiewicz | Production Assistant |
| Production | Anna Tomaśko | Post Production Coordinator |
| Crew | Tadeusz Sobolewski | Thanks |
| Crew | Mieczysław Wojtczak | Thanks |
| Crew | Leszek Teleszyński | Thanks |
| Crew | Lech Adamowski | Thanks |
