In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.
Unfortunately the movie Slums of Beverly Hills is not yet available on HBO Max.
| Editing | Robert Duffy | Editor |
| Directing | Tamara Jenkins | Director |
| Production | Michael Nozik | Producer |
| Writing | Tamara Jenkins | Writer |
| Production | Stan Wlodkowski | Producer |
| Crew | Margo Hunt McKay | Driver |
| Art | Carolyn Lassek | Set Dresser |
| Art | Tim Parkinson | Set Dresser |
| Art | Guillaume DeLouche | Set Dresser |
| Sound | Eddie Bydalek | Sound Recordist |
| Crew | Lisa Rodgers | Post Production Supervisor |
| Sound | Richard Chaim | Sound |
| Directing | Susie Balaban | Second Second Assistant Director |
| Sound | Shawn Kennelly | Foley Recordist |
| Costume & Make-Up | Candace Neal | Key Hair Stylist |
| Production | Stan Wlodkowski | Unit Production Manager |
| Sound | Andrew Adams | Boom Operator |
| Directing | Dawn Massaro | Second Assistant Director |
| Sound | Michael Kamper | Sound Effects Editor |
| Sound | Jonathan Karp | Sound Effects Editor |
| Costume & Make-Up | Romy Fleming | First Assistant Hairstylist |
| Sound | Elisabeth Flaum | Sound Effects Editor |
| Costume & Make-Up | Anne Morgan | Additional Hairstylist |
| Directing | Scott Remick | Second Second Assistant Director |
| Sound | Eric Brauch | Sound |
| Costume & Make-Up | Vicky Ogden | First Assistant Makeup Artist |
| Production | Joe Pichirallo | Production Executive |
| Production | Tom Tucker | Production Supervisor |
| Sound | Eric Erickson | Sound Recordist |
| Sound | Laura Kamper | Sound Effects |
| Sound | Jeffrey R. Payne | Sound Re-Recording Mixer |
| Sound | Thomas Pinney | Boom Operator |
| Sound | Mark Ulano | Sound Recordist |
| Sound | Eric Thompson | Foley Mixer |
| Sound | Tim Walston | Sound Effects Editor |
| Sound | B. Tennyson Sebastian III | Sound Re-Recording Mixer |
| Crew | Jean Malahni | Stunt Double |
| Sound | James Wright | Sound |
| Sound | Joan Rowe | Foley Artist |
| Sound | Sean Rowe | Foley Artist |
| Crew | Jean Malahni | Stunts |
| Sound | Gary Calamar | Music Supervisor |
| Sound | D. Chris Smith | ADR Recordist |
| Art | Robert Greenfield | Set Decoration |
| Production | Robert Redford | Executive Producer |
| Camera | Lorey Sebastian | Still Photographer |
| Production | Sheila Jaffe | Casting |
| Camera | Leonard Myszynski | Still Photographer |
| Art | Lisa S. Beasley | Art Department Coordinator |
| Costume & Make-Up | Kirsten Everberg | Costume Design |
| Sound | Matthew C. Beville | ADR Mixer |
| Crew | Dick Ziker | Stunt Coordinator |
| Art | Dena Roth | Production Design |
| Art | Scott Plauche | Art Direction |
| Directing | Ira Hurvitz | Script Supervisor |
| Art | Ritchie Kremer | Property Master |
| Sound | G. Marq Roswell | Music Supervisor |
| Sound | Paul Curtis | Dialogue Editor |
| Sound | Ken Segal | Sound Mixer |
| Sound | Andrew DeCristofaro | Supervising Sound Editor |
| Sound | Rolfe Kent | Original Music Composer |
| Directing | Michael A. Allowitz | First Assistant Director |
| Production | Georgianne Walken | Casting |
| Sound | Ann Scibelli | Supervising Sound Effects Editor |
| Sound | Mimi Bonetti | Music Coordinator |
| Sound | John Chandler | Foley Editor |
| Costume & Make-Up | Julie Glick | Costume Supervisor |
| Camera | Tom Richmond | Director of Photography |
| Costume & Make-Up | Kathryn Bihr | Key Makeup Artist |
| Art | Bently Tittle | Set Dresser |
