A scientist from the failed Philadelphia Experiment leads a team of Navy SEALs back in time to the Cretaceous Period to rescue the first team he sent back during the 1940s. Things go wildly awry though, when on his return he accidentally brings a giant, man-eating dinosaur back through the portal and into modern-day, downtown Los Angeles.
Unfortunately the movie 100 Million BC is not yet available on HBO Max.
| Production | David Michael Latt | Producer |
| Directing | Griff Furst | Director |
| Camera | Alexander Yellen | Director of Photography |
| Sound | Ralph Rieckermann | Original Music Composer |
| Art | Brandon Kihl | Production Design |
| Writing | Paul Bales | Screenplay |
| Production | Jeff Cagle | Casting |
| Production | David Rimawi | Executive Producer |
| Editing | Nick Everhart | Editor |
| Editing | Mark Atkins | Editor |
| Visual Effects | Ross Otterman | Visual Effects Producer |
| Visual Effects | Allan Baxendale | Creature Design |
| Costume & Make-Up | Mim Carroll | Costume Design |
| Crew | Robin Petgrave | Aerial Coordinator |
| Costume & Make-Up | Tara Lang | Key Makeup Artist |
| Visual Effects | S. Kai Bovaird | Visual Effects Supervisor |
| Production | Erik Lynch | Production Assistant |
| Editing | Narbeh Tatoussian | Colorist |
| Editing | Bryan Snodgrass | EPK Editor |
| Crew | Gustavo A. Giron Sr. | Pilot |
| Editing | Kate Noonan | Assistant Editor |
| Crew | Robin Petgrave | Pilot |
| Camera | Nathaniel Magnuson | Still Photographer |
| Camera | Bryan Krass | Grip |
| Camera | Bianca Bahena | First Assistant Camera |
| Crew | Steve Goldenberg | Post Production Assistant |
| Lighting | Hinishi Tomonori | Best Boy Electric |
| Visual Effects | Scott Wheeler | Additional Visual Effects |
| Production | Jeff Cagle | Production Coordinator |
| Camera | Orlando Ordonez | Best Boy Grip |
| Visual Effects | Elliot Rudmann | Visual Effects Production Assistant |
| Editing | Ross H. Martin | Assistant Editor |
| Camera | James Hammond | Additional First Assistant Camera |
| Visual Effects | Andrew Lewitin | Visual Effects |
| Camera | Glenn Miller | Dolly Grip |
| Camera | Scott Wheeler | First Assistant Camera |
| Camera | Trenton McRae | Key Grip |
| Visual Effects | Ken Locsmandi | Visual Effects Supervisor |
| Camera | Marcus Kellum | Steadicam Operator |
| Camera | Christina N. Jin | Grip |
| Camera | Jihane Mrad Balaa | Second Assistant Camera |
| Lighting | Ben Demaree | Gaffer |
| Crew | Yoshio Kohashi | Visual Effects Editor |
| Visual Effects | David Michael Latt | Additional Visual Effects |
| Visual Effects | Julie Taylor | Creature Design |
| Visual Effects | Miki Jelicic | Visual Effects Production Assistant |
| Visual Effects | Scott Mueller | Creature Design |
| Art | Robert Wesley Knight | Sculptor |
| Visual Effects | Robert Giddens | Creature Design |
| Visual Effects | Marcel Dejure | Creature Design |
| Visual Effects | Tony Buffa | Creature Design |
| Visual Effects | Neal Kennemore | Creature Design |
| Sound | Lisa Ries | Dialogue Editor |
| Sound | Brett Bach | Sound Supervisor |
| Directing | Nick Day | Second Assistant Director |
| Sound | Bali Bock | Boom Operator |
| Sound | Lisa Ries | Sound Mixer |
| Sound | Brett Bach | ADR Recordist |
| Art | James Vieira | Props |
| Crew | Karine Grigorian | Post Production Supervisor |
| Art | Nino Zagaroli | Property Master |
| Art | Joy Shulman | Set Dresser |
| Production | Paul Bales | Associate Producer |
| Production | Jeff Cagle | Unit Production Manager |
| Crew | Danny Maldonado | Post Production Supervisor |
| Sound | Brett Bach | Sound Designer |
| Directing | Xavier S. Puslowski | First Assistant Director |
| Sound | Bali Bock | Sound Mixer |
| Sound | Brett Bach | ADR Mixer |
| Production | Anthony Fankhauser | Line Producer |
