Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in common. Can Max learn to look past the packaging?
Unfortunately the movie Go Fish is not yet available on HBO Max.
| Directing | Rose Troche | Director |
| Production | Tom Kalin | Executive Producer |
| Writing | Rose Troche | Writer |
| Production | Guinevere Turner | Producer |
| Writing | Guinevere Turner | Writer |
| Editing | Rose Troche | Editor |
| Production | V.S. Brodie | Associate Producer |
| Production | Christine Vachon | Executive Producer |
| Production | Rose Troche | Producer |
| Sound | Julia LaFleur | Boom Operator |
| Production | Joanne Morton | Production Assistant |
| Camera | Joanna Brown | Grip |
| Directing | Rick Powell | Continuity |
| Crew | V.S. Brodie | Thanks |
| Lighting | Art Stone | Lighting Director |
| Sound | George A. Lara | Foley Mixer |
| Camera | Joanne Morton | Grip |
| Sound | Jennifer Allen | Boom Operator |
| Crew | Jeanne Kracher | Thanks |
| Crew | Mary Patten | Thanks |
| Crew | Scott Aldrich | Additional Music |
| Sound | David Novack | ADR Engineer |
| Camera | JoAnne C. Willis | Grip |
| Sound | George A. Lara | ADR Engineer |
| Camera | Walter Youngblood | Grip |
| Sound | Kerry Hilgar | Boom Operator |
| Camera | Scout | Dolly Grip |
| Camera | Oscar Cervera | Grip |
| Camera | Jennifer Allen | Grip |
| Sound | Jeanne Kracher | Boom Operator |
| Sound | Walter Youngblood | Boom Operator |
| Sound | Theresa Castino | Boom Operator |
| Sound | Diane Swanson | Boom Operator |
| Camera | Joe Vidal | Dolly Grip |
| Crew | Susan Strine | Thanks |
| Camera | Joe Vidal | Additional Camera |
| Sound | Elspeth Kydd | Sound Recordist |
| Sound | Mary-Elva Kouklis | Boom Operator |
| Production | Rick Powell | Production Assistant |
| Camera | Jan Collins | Grip |
| Camera | JoAnne C. Willis | Dolly Grip |
| Lighting | Ann T. Rossetti | Lighting Director |
| Crew | Henrique Cirne-Lima | Thanks |
| Camera | Scout | Grip |
| Directing | Lisa Raymond | Continuity |
| Camera | Kelly Krotine | Dolly Grip |
| Camera | Mimi Wadell | Dolly Grip |
| Crew | Paul Shukin | Thanks |
| Camera | Walter Youngblood | Dolly Grip |
| Crew | Hans Schall | Thanks |
| Directing | Wendy Quinn | Assistant Director |
| Sound | Brendan Dolan | Original Music Composer |
| Sound | Jennifer Sharpe | Original Music Composer |
| Camera | Ann T. Rossetti | Director of Photography |
| Visual Effects | Rose Troche | Visual Effects |
| Camera | Tracy Kimme | Grip |
| Lighting | Maida Sussman | Additional Lighting Technician |
| Camera | Kevin Grubb | Grip |
| Editing | Tim Brennan | Negative Cutter |
| Sound | Gillian Chi | Assistant Dialogue Editor |
| Sound | Brian Vancho | Foley Artist |
| Sound | Missy Cohen | Sound Editor |
| Lighting | Elspeth Kydd | Additional Lighting Technician |
| Art | Guinevere Turner | Title Designer |
| Camera | Jane Jefferies | Additional Camera |
| Camera | Mimi Wadell | Assistant Camera |
| Camera | Paul Shabaz | Grip |
| Camera | Debbie Snead | Grip |
| Editing | Jesse Weiner | Assistant Editor |
| Camera | Rebecca McBride | Grip |
| Camera | Rose Troche | Additional Camera |
| Camera | Kelly Krotine | Assistant Camera |
| Sound | Lisa Hubbard | Sound Recordist |
| Camera | Sara Varon | Grip |
| Camera | Joe Vidal | Assistant Camera |
| Art | Jeffery J. Jenkins | Paint Coordinator |
| Sound | Karl Wasserman | Assistant Dialogue Editor |
| Sound | Lisa Gillespie | Boom Operator |
| Sound | Jacob Ribicoff | Dialogue Editor |
| Lighting | Joy Castronova | Gaffer |
| Sound | David Novack | Sound Re-Recording Mixer |
| Editing | Lisa Hubbard | Assistant Editor |
