Millionaire industrialist Steven Taylor is a man who has everything but what he craves most: the love and fidelity of his wife. A hugely successful player in the New York financial world, he considers her to be his most treasured acquisition. But she needs more than simply the role of dazzling accessory.
Unfortunately the movie A Perfect Murder is not yet available on HBO Max.
| Directing | Andrew Davis | Director |
| Production | Peter Macgregor-Scott | Producer |
| Production | Arnold Kopelson | Producer |
| Editing | Dennis Virkler | Editor |
| Camera | Dariusz Wolski | Director of Photography |
| Sound | James Newton Howard | Original Music Composer |
| Production | Anne Kopelson | Producer |
| Writing | Frederick Knott | Screenplay |
| Writing | Patrick Smith Kelly | Screenplay |
| Editing | Dov Hoenig | Editor |
| Writing | Frederick Knott | Theatre Play |
| Production | Mitchell E. Dauterive | Co-Producer |
| Production | Lowell D. Blank | Associate Producer |
| Production | Nana Greenwald | Co-Producer |
| Production | Lisa Reardon | Associate Producer |
| Production | Stephen Joel Brown | Executive Producer |
| Production | Teresa Tucker-Davies | Associate Producer |
| Production | Cathy Sandrich Gelfond | Casting |
| Production | Christopher Mankiewicz | Producer |
| Production | Amanda Mackey | Casting |
| Costume & Make-Up | Milton Buras | Key Hair Stylist |
| Art | Philip Rosenberg | Production Design |
| Art | Debra Schutt | Set Decoration |
| Camera | Andrew D. Schwartz | Still Photographer |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Camera | Stephen St. John | Steadicam Operator |
| Editing | Mark S. Westmore | First Assistant Editor |
| Sound | Bruce Stambler | Supervising Sound Editor |
| Costume & Make-Up | Laura Drawbaugh | Assistant Costume Designer |
| Costume & Make-Up | John Glaser | Assistant Costume Designer |
| Editing | Nina Lucia | First Assistant Editor |
| Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
| Sound | David Olson | Music Editor |
| Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
| Crew | Michael Runyard | Stunt Coordinator |
| Sound | Robert Schaper | Sound Re-Recording Mixer |
| Directing | Dru Anne Carlson | Script Supervisor |
| Production | Mercedes Kelso | Casting Associate |
| Editing | Uri Katoni | First Assistant Editor |
| Production | Elizabeth Lang | Casting Associate |
| Art | Patricia Woodbridge | Art Direction |
| Costume & Make-Up | Deirdre N. Williams | Costume Supervisor |
| Sound | Tom Nelson | Production Sound Mixer |
| Camera | Zoran Veselić | First Assistant Camera |
| Production | Christopher DeFaria | Executive In Charge Of Production |
| Camera | Mike House | Grip |
| Costume & Make-Up | Caryn Brostoff | Makeup Artist |
| Costume & Make-Up | Eric M. Metzger | Set Dressing Artist |
| Art | Martin Lasowitz | Property Master |
| Crew | Heathar Wynne | Set Medic |
| Crew | Kevin Keefe | Transportation Coordinator |
| Editing | Bob Putynkowski | Color Timer |
| Sound | Paul Aulicino | Assistant Sound Editor |
| Sound | Gary Blufer | Sound Editor |
| Production | Jan Foster | Unit Production Manager |
| Camera | Billy Patsos | Key Grip |
| Crew | Michael Singer | Unit Publicist |
| Art | Brick Mason | Production Illustrator |
| Crew | Charles Bodycomb | Armorer |
| Lighting | William MacGhee | Electrician |
| Production | Michael Stricks | Location Manager |
| Crew | Kevin McKenna | Video Assist Operator |
| Crew | Joseph Garzero | Scenic Artist |
| Crew | John Cenatiempo | Stunts |
| Sound | Scott Curtis | Foley Editor |
| Sound | Lance Brown | Sound Designer |
| Crew | Chris T. Margiano | Craft Service |
| Art | Laura Brock | Assistant Art Director |
| Crew | Tony Marks | Carpenter |
| Art | Timothy Metzger | Leadman |
| Art | David Blankenship | Set Designer |
| Art | George Hugel | Construction Coordinator |
| Crew | Edward Devereaux II | Driver |
| Crew | Robert C. Campion | Production Controller |
| Crew | Arthur K. Flam | Production Intern |
| Sound | Daniel Rosenblum | Boom Operator |
| Crew | Howard Samuelsohn | Dialect Coach |
| Directing | Henry J. Bronchtein | First Assistant Director |
| Art | Jennifer B. Starke | Art Department Coordinator |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Crew | Jeff Brink | Special Effects Coordinator |
| Crew | Kevin Flynn | Transportation Captain |
| Production | Gail Barringer | Production Accountant |
| Crew | Zsolt Kadar | Loader |
| Sound | Jeff Atmajian | Orchestrator |
| Production | Maria Norman | Executive Assistant |
| Production | Paul Kramer | Assistant Location Manager |
| Art | Diana Burton | Assistant Property Master |
| Art | Jay Johnson | Title Designer |
| Crew | Manex Efrem | Special Effects Technician |
| Sound | Joseph A. Mayer | Supervising ADR Editor |
| Camera | James R. Belletier | Second Assistant Camera |
| Production | Holly Watson | Production Secretary |
| Crew | Dana Hee | Stunt Double |
| Lighting | Morris Flam | Chief Lighting Technician |
| Production | Matthew Gross | Production Executive |
| Camera | Jefferson T. Jones | Assistant Camera |
| Sound | Artie Kane | Conductor |
| Production | Joseph Lombardi | Payroll Accountant |
| Directing | Amy Lauritsen | Second Assistant Director |
| Directing | Jennifer Truelove | Second Second Assistant Director |
| Sound | Scott Jones | ADR Mixer |
| Camera | James Pollard | Dolly Grip |
| Sound | Mary Jo Lang | Foley Mixer |
| Lighting | John G. Velez | Assistant Chief Lighting Technician |
| Editing | Mo Henry | Negative Cutter |
| Sound | Hilda Hodges | Foley Artist |
| Camera | Keith Bunting | Best Boy Grip |
| Camera | Ashley Bond | Focus Puller |
| Sound | Jim Weidman | Supervising Music Editor |
| Editing | Guy Barresi | Assistant Editor |
| Production | David Ray Martin | Location Assistant |
| Sound | Virginia Cook-McGowan | Dialogue Editor |
