When college senior Anastasia Steele steps in for her sick roommate to interview prominent businessman Christian Grey for their campus paper, little does she realize the path her life will take. Christian, as enigmatic as he is rich and powerful, finds himself strangely drawn to Ana, and she to him. Though sexually inexperienced, Ana plunges headlong into an affair -- and learns that Christian's true sexual proclivities push the boundaries of pain and pleasure.
Unfortunately the movie Fifty Shades of Grey is not yet available on HBO Max.
| Directing | Sam Taylor-Johnson | Director |
| Writing | Kelly Marcel | Screenplay |
| Writing | E.L. James | Novel |
| Art | Roger Fires | Graphic Designer |
| Costume & Make-Up | Kurtis Reeves | Costume Coordinator |
| Costume & Make-Up | Codey Blair | First Assistant Hairstylist |
| Lighting | Stuart Haggerty | Gaffer |
| Crew | Melissa R. Stubbs | Stunts |
| Crew | Bret Kiene | Stunts |
| Art | Patrick Dunn-Baker | Set Designer |
| Costume & Make-Up | Sanna Seppanen | Key Hair Stylist |
| Costume & Make-Up | Victoria Down | Key Makeup Artist |
| Art | Tina Charad | Graphic Designer |
| Art | Dan Sissons | Property Master |
| Camera | David Kurvers | Digital Imaging Technician |
| Directing | David Arnold | Second Assistant Director |
| Costume & Make-Up | Danna Rutherford | Key Hair Stylist |
| Directing | Peter Kohn | First Assistant Director |
| Camera | Mike Kirilenko | Key Grip |
| Sound | Darren Sunny Warkentin | Foley Editor |
| Art | Cara Brower | Assistant Art Director |
| Art | Geoff Wallace | Set Designer |
| Art | Eliza Hooker | Set Dresser |
| Art | Elena Dresser | Set Dresser |
| Costume & Make-Up | Ivan Lehner | Set Costumer |
| Camera | Russell Hawkes | Dolly Grip |
| Lighting | Bryce Munro | Key Rigging Grip |
| Production | Kirk Johns | Location Manager |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Crew | Graham Stumpf | Post Production Supervisor |
| Editing | David S. Clark | First Assistant Editor |
| Editing | David Marks | First Assistant Editor |
| Camera | David Crone | Steadicam Operator |
| Visual Effects | Julian Andraus | VFX Editor |
| Sound | Gayle Wesley | First Assistant Sound Editor |
| Sound | David Jobe | Foley Mixer |
| Sound | Alicia Stevenson | Foley Artist |
| Lighting | Sean Oxenbury | Rigging Gaffer |
| Camera | Drew David | Best Boy Grip |
| Sound | Roger Morris | ADR Mixer |
| Production | Cheryl Kurk | Production Accountant |
| Production | Lara Sargent | Post Production Accountant |
| Sound | Karen Vassar Triest | Sound Designer |
| Sound | Laura Harris Atkinson | Dialogue Editor |
| Sound | Bill Higley | ADR Mixer |
| Crew | Guy Adan | Unit Publicist |
| Crew | Larry Tardif | Transportation Co-Captain |
| Crew | Jess Platt | Dialect Coach |
| Costume & Make-Up | Vanessa Giles | Assistant Makeup Artist |
| Production | Elaine Fleming | Production Coordinator |
| Production | Brenda McClellan | Payroll Accountant |
| Production | Diana Ascher | Post Production Accountant |
| Sound | Doc Kane | ADR Mixer |
| Production | W. Robert Millar | Assistant Location Manager |
| Crew | Alex Burdett | Special Effects Coordinator |
| Production | Andrea Brown | Extras Casting |
| Art | Mike McLeod | Construction Foreman |
| Sound | Mark Noda | Production Sound Mixer |
| Camera | Lee Gibeau | Dolly Grip |
| Art | C. Scott Baker | Set Designer |
| Crew | Steve Wright | Aerial Coordinator |
| Art | Doug Hardwick | Construction Coordinator |
| Camera | Hans Bjerno | Aerial Director of Photography |
| Camera | James Kohne | Grip |
| Sound | Tami Treadwell | ADR Mixer |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Ryan Young | ADR Recordist |
| Sound | Libby Umstead | Music Coordinator |
| Lighting | Niall Fraser | Best Boy Electric |
| Crew | David Buckley | Additional Music |
| Camera | Roger Vernon | Second Unit Director of Photography |
| Sound | James Wright | Dolby Consultant |
| Visual Effects | Mark Curtis | Visual Effects Supervisor |
| Crew | Bryan Litson | CG Supervisor |
| Crew | James Forrester | Production Office Assistant |
| Crew | Jason Bell | Utility Stunts |
| Production | Louis Phillips | Executive In Charge Of Production |
| Sound | Anna Behlmer | Sound Re-Recording Mixer |
| Sound | Dana Sano | Music Supervisor |
| Directing | Kerry Lyn McKissick | Script Supervisor |
| Production | Marcus Viscidi | Executive Producer |
| Camera | Chuck Zlotnick | Still Photographer |
| Production | Michael De Luca | Producer |
| Costume & Make-Up | Mark Bridges | Costume Design |
| Editing | Lisa Gunning | Editor |
| Editing | Anne V. Coates | Editor |
| Production | Francine Maisler | Casting |
| Crew | Michael Hilow | Stunt Coordinator |
| Costume & Make-Up | Barbara Inglehart | Costume Supervisor |
| Art | Laurel Bergman | Art Direction |
| Sound | Danny Elfman | Original Music Composer |
| Production | Jeb Brody | Executive Producer |
| Editing | Debra Neil-Fisher | Editor |
| Sound | Kelly Oxford | Supervising Sound Editor |
| Art | Sandy Walker | Set Decoration |
| Crew | Melissa R. Stubbs | Stunt Coordinator |
| Art | David Wasco | Production Design |
| Sound | Terry Porter | Sound Re-Recording Mixer |
| Sound | Becky Sullivan | Supervising Sound Editor |
| Production | E.L. James | Producer |
| Sound | Angie Rubin | Music Editor |
| Sound | Bill Abbott | Music Editor |
| Art | Sandy Reynolds-Wasco | Set Decoration |
| Production | Dana Brunetti | Producer |
| Camera | Seamus McGarvey | Director of Photography |
| Sound | Ellie Goulding | Original Music Composer |
| Art | Tom Reta | Supervising Art Director |
| Art | Michael Diner | Supervising Art Director |
| Art | Mark N. Tompkins | Painter |
