Frank Galvin is a down-on-his-luck lawyer and reduced to drinking and ambulance chasing, when a former associate reminds him of his obligations in a medical malpractice suit by serving it to Galvin on a silver platter—all parties are willing to settle out of court. Blundering his way through the preliminaries, Galvin suddenly realizes that the case should actually go to court—to punish the guilty, to get a decent settlement for his clients... and to restore his standing as a lawyer.
Unfortunately the movie The Verdict is not yet available on HBO Max.
| Directing | Sidney Lumet | Director |
| Writing | David Mamet | Screenplay |
| Writing | Barry Reed | Novel |
| Production | David Brown | Producer |
| Production | Richard D. Zanuck | Producer |
| Sound | Johnny Mandel | Original Music Composer |
| Camera | Andrzej Bartkowiak | Director of Photography |
| Editing | Peter C. Frank | Editor |
| Art | John Kasarda | Art Direction |
| Art | George DeTitta Sr. | Set Decoration |
| Costume & Make-Up | Anna Hill Johnstone | Costume Design |
| Production | Burtt Harris | Executive Producer |
| Art | Edward Pisoni | Production Design |
| Costume & Make-Up | Joe Cranzano | Makeup Artist |
| Costume & Make-Up | Monty Westmore | Makeup Artist |
| Costume & Make-Up | Bob Grimaldi | Hairstylist |
| Directing | Burtt Harris | First Assistant Director |
| Camera | Hank Muller | Assistant Camera |
| Writing | Jay Presson Allen | Writer |
| Production | Joseph M. Caracciolo | Unit Production Manager |
| Production | Jennifer Ogden | Unit Manager |
| Directing | Ken Ornstein | Assistant Director Trainee |
| Directing | Robert E. Warren | Second Assistant Director |
| Art | Joseph M. Caracciolo Jr. | Property Master |
| Crew | Edward Garzero | Scenic Artist |
| Art | John McDonnell | Props |
| Art | Carlos Quiles | Construction Foreman |
| Crew | William Sohmer | Scenic Artist |
| Art | Dave Weinman | Set Dresser |
| Art | Joe Williams Sr. | Construction Grip |
| Crew | Mark Bachman | Scenic Artist |
| Art | Philip Gips | Graphic Designer |
| Crew | Polly Wood-Holland | Scenic Artist |
| Sound | Louis Cerborino | Sound Editor |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Frank Graziadei | Boom Operator |
| Sound | James Sabat | Sound Mixer |
| Sound | Louis Sabat | Boom Operator |
| Sound | Maurice Schell | Sound Editor |
| Sound | Harry Peck Bolles | Assistant Sound Editor |
| Sound | Mark Rathaus | Assistant Sound Editor |
| Sound | Mel Zelniker | ADR Recordist |
| Camera | Jonathan Burkhart | Camera Trainee |
| Camera | Louis Goldman | Still Photographer |
| Camera | Gary Muller | Assistant Camera |
| Camera | Bob Paone | Second Assistant Camera |
| Camera | Ed Quinn | Dolly Grip |
| Camera | William H. Steiner | Camera Operator |
| Lighting | Dusty Wallace | Gaffer |
| Camera | Robert Ward | Key Grip |
| Camera | Billy Kerwick | Grip |
| Costume & Make-Up | William Loger | Wardrobe Master |
| Costume & Make-Up | Marilyn Putnam | Wardrobe Master |
| Editing | Andrew Mondshein | Assistant Editor |
| Production | Chris Stoia | Location Manager |
| Production | Alexandra Decker | Location Manager |
| Crew | Joel Moss | Score Engineer |
| Sound | Miles Goodman | Orchestrator |
| Sound | Angela Morley | Orchestrator |
| Directing | Kay Chapin | Script Supervisor |
| Crew | James Fanning | Transportation Captain |
| Crew | Michael Avallon | Driver |
| Production | Sarah M. Brim | Production Assistant |
| Production | Jonathan Burkhart | Production Assistant |
| Production | Eileen Eichenstein | Production Office Coordinator |
| Crew | Ellen Levene | Unit Publicist |
