In the shadowy world of drone warfare, combat unfolds like a video game–only with real lives at stake. After six tours of duty, Air Force pilot Tom Egan now fights the Taliban from an air-conditioned bunker in the Nevada desert. But as he yearns to get back in the cockpit of a real plane and becomes increasingly troubled by the collateral damage he causes each time he pushes a button, Egan’s nerves—and his relationship with his wife—begin to unravel.
Unfortunately the movie Good Kill is not yet available on HBO Max.
Directing | Andrew Niccol | Director |
Writing | Andrew Niccol | Writer |
Directing | Jennifer Josephson | Script Supervisor |
Camera | Amir Mokri | Director of Photography |
Editing | Zach Staenberg | Editor |
Production | Jo Edna Boldin | Casting |
Production | Nicolas Chartier | Producer |
Production | Mark Amin | Producer |
Production | Zev Foreman | Producer |
Production | Hamid Ait Timaghrit | Casting |
Art | Guy Barnes | Production Design |
Production | Avy Kaufman | Casting |
Costume & Make-Up | Shaun Garcia | Set Costumer |
Costume & Make-Up | Liz Pecos | Set Costumer |
Costume & Make-Up | Lisa Jensen | Costume Design |
Art | Robert Scoville | Art Direction |
Costume & Make-Up | Megan Daum | Hairstylist |
Costume & Make-Up | Cassidy Zachary | Costume Supervisor |
Sound | Ethan Beigel | Sound Re-Recording Mixer |
Art | Brian Austin Wenrich | Art Department Coordinator |
Editing | Stewart McAlpine | First Assistant Editor |
Costume & Make-Up | Mary Hedges Lampert | Hairstylist |
Editing | Anneli Oscarsson | Digital Intermediate |
Camera | Daniel C. Gold | Camera Operator |
Editing | Jonas Jangvad | Digital Intermediate |
Art | Rachid Quiat | Set Decoration |
Lighting | Jay Kemp | Gaffer |
Lighting | Waylon Brady | Rigging Gaffer |
Sound | Fernand Bos | Music Editor |
Visual Effects | Sebastian Leutner | Visual Effects Producer |
Art | Wendy Ozols-Barnes | Set Decoration |
Camera | Dylan Goss | Helicopter Camera |
Visual Effects | Craig Lyn | Visual Effects Supervisor |
Visual Effects | Michael Wortmann | Visual Effects Supervisor |
Costume & Make-Up | Gretchen Bright | Makeup Department Head |
Sound | Libby Umstead | Music Supervisor |
Sound | Christophe Beck | Original Music Composer |
Sound | Dana Sano | Music Supervisor |
Production | Dusty Dukatz | Production Supervisor |
Production | Andrew Niccol | Producer |
Costume & Make-Up | Bonnie Masoner | Makeup Artist |
Art | Duprelon Tizdale | Greensman |
Costume & Make-Up | Reyna Robinson | Makeup Artist |
Sound | Ryan Wassil | Foley Editor |
Production | Ahmed Abounouom | Production Manager |
Sound | Aaron Levy | Sound Re-Recording Mixer |
Production | Marjorie Ergas | Production Supervisor |
Directing | Nicholas Mastandrea | First Assistant Director |
Production | Ryan Westheimer | Line Producer |
Sound | Paul Longstaffe | Dialogue Editor |
Costume & Make-Up | Navya La Shay | Makeup Artist |
Art | Greg Davidson | Leadman |
Crew | Larry Ferguson Jr. | Post Production Supervisor |
Sound | Steven Willer | Boom Operator |
Crew | Gérard Lesage | Stunt Coordinator |
Camera | Ian Hanna | Dolly Grip |
Lighting | Driss Marzak | Gaffer |
Camera | Amir Mokri | Camera Operator |
Lighting | Mark Steinig | Rigging Grip |
Costume & Make-Up | Jennifer Gingery | Key Costumer |
Camera | James Swanson | Aerial Director of Photography |
Production | Christian Diaz de Bedoya | Location Manager |
Art | Kyle Cooper | Title Designer |
Crew | Frédéric North | Aerial Coordinator |
Crew | Ed Duran | Stunt Coordinator |
Visual Effects | Daniel Chavez | Visual Effects Producer |
Production | Melanie Kirk | Production Coordinator |
Camera | Kurt Kornemann | Key Grip |
Art | Mark Hansen | Property Master |