A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by
Unfortunately the movie Tangos Are for Two is not yet available on HBO Max.
Directing | Jaime Chávarri | Director |
Editing | Pedro del Rey | Editor |
Art | Marcela Bazzano | Art Designer |
Art | Daniel Feijoó | Art Designer |
Crew | José María Paolantonio | Additional Writing |
Art | Marcela Bazzano | Set Decoration |
Production | Patricia Baños | Delegated Producer |
Crew | Jaime Chávarri | Additional Writing |
Sound | Luis María Serra | Music |
Production | José M. Garasino | Delegated Producer |
Production | Marina Valentini | Production Manager |
Costume & Make-Up | Julio Salinas | Costume Design |
Art | Daniel Feijoó | Decorator |
Sound | Abelardo Kuschnir | Sound Director |
Writing | Raúl Brambilla | Idea |
Costume & Make-Up | Julia González | Costume Design |
Costume & Make-Up | Óscar Mulet | Makeup Designer |
Costume & Make-Up | Ricardo Fasán | Hair Supervisor |
Production | Mirta Reyes | Delegated Producer |
Production | Andrés Vicente Gómez | Executive Producer |
Writing | Óscar Plasencia | Idea |
Production | Ricardo Wullicher | Executive Producer |
Production | Pablo E. Bossi | Executive Producer |
Writing | Raúl Brambilla | Writer |
Crew | Aldo Romero | Script |
Writing | Óscar Plasencia | Writer |
Directing | Gustavo Wagner | First Assistant Director |
Directing | Carina Sama | Second Assistant Director |
Production | Jorge Yías | Casting |
Directing | Octavio Facello | Assistant Director Trainee |
Production | Maricel Lozano | Production Manager |
Production | Nacho Rodríguez Marín | Production Assistant |
Production | Cecilia Bossi | Production Assistant |
Production | Norberto Ponelli | Production Assistant |
Production | Roberto Horbal | Administration |
Production | Sebastián Arzeno | Production Trainee |
Production | Laura Kuschnir | Production Trainee |
Camera | Federico Maximiliano Serafín | Camera Operator |
Camera | Fernando Viñuela | Focus Puller |
Camera | Diego Worel | Second Assistant Camera |
Camera | Graciela Portela | Still Photographer |
Art | Adriana Maestri | Assistant Set Decoration |
Art | Omar Duca | Assistant Set Dresser |
Art | María Bellora | Assistant Set Dresser |
Editing | Blanca Rodríguez | Assistant Editor |
Editing | Ascen Marchena | Assistant Editor |
Editing | Jorge Firdman | Assistant Editor |
Costume & Make-Up | Flavia Gaitán | Costume Assistant |
Costume & Make-Up | Susana Méndez Montenegro | Costume Assistant |
Costume & Make-Up | Jorge Rovera | Assistant Makeup Artist |
Sound | Pedro Marra | Boom Operator |
Lighting | Gustavo Ungaro | Gaffer |
Lighting | Carlos Saavedra | Lighting Coordinator |
Lighting | Daniel Ianatempo | Electrician |
Lighting | Jorge Lynch | Electrician |
Camera | Luis Colaso | Grip |
Sound | Alfonso Pino | Sound Mixer |
Sound | Rodolfo Mederos | Songs |
Crew | Beto Acevedo | Thanks |
Sound | Jaume Puig | Dolby Consultant |
Camera | Carles Gusi | Director of Photography |