For John Cuttin it all started with the first sip of the wine of her life. A "Marzemino", a typical wine of the province of Trento, quoted by Lorenzo Da Ponte in his libretto for "Don Giovanni" by Mozart. The instant he tasted the blood-red drop of nectar John felt a sort of pleasant and mysterious explosion of the senses, and from that moment on, his nature is transformed. In just three years, from shy bank clerk and faithful husband became director, tombeur de femmes and the most revered and respected expert on wine in Italy. Just as he had predicted the enigmatic "Professor" who had convinced him to taste his first glass of wine. The only event that the "Professor" with his accent and his piercing blue eyes, had not predicted was that he would soon be charged with the murder of his wife Adele. While being put under pressure by the Commissioner Sanfelice, John is to reflect on the last three years of his life, dominated by a single and mad passion: wine.
Unfortunately the movie Vinodentro is not yet available on HBO Max.
Writing | Fabio Marcotto | Screenplay |
Camera | Dante Spinotti | Director of Photography |
Production | Sandro Frezza | Producer |
Production | Evelina Manna | Producer |
Writing | Ferdinando Vicentini Orgnani | Screenplay |
Production | Ferdinando Vicentini Orgnani | Producer |
Writing | Heidrun Schleef | Screenplay |
Sound | Paolo Fresu | Original Music Composer |
Directing | Ferdinando Vicentini Orgnani | Director |
Production | Claudio Lullo | Production Manager |
Production | Chiara Coller | Casting |
Writing | Fabio Marcotto | Book |
Editing | Emanuele Muscolino | Assistant Editor |
Editing | Alessandro Heffler | Editor |
Production | Guido Simonetti | Line Producer |
Editing | Ivan Tozzi | Digital Colorist |
Art | Massimo Santomarco | Production Design |
Costume & Make-Up | Monica Gaetani | Assistant Costume Designer |
Art | Elia Giordani | Runner Art Department |
Directing | Giovanni Vaccarelli | First Assistant Director |
Camera | Daniele Colombera | Digital Imaging Technician |
Art | Giovambattista Delfino | Props |
Writing | Ferdinando Vicentini Orgnani | Writer |
Costume & Make-Up | Franco Corridoni | Makeup Artist |
Editing | Daniele Colombera | Colorist |
Art | Cristiana Scipioni | Set Decoration |
Costume & Make-Up | Alessandro Lai | Costume Design |
Editing | Massimo Gubinelli | Colorist |
Sound | Paolo Fresu | Music |
Visual Effects | Franco Galiano | Special Effects Supervisor |
Sound | Marco Zambrano | Boom Operator |
Sound | Mauro Eusepi | Foley Artist |
Crew | Tiberio Angeloni | Special Effects |
Crew | Fernando Ghia | Thanks |
Editing | Kenny Vicent | Dailies Operator |
Directing | Riccardo Spinotti | Third Assistant Director |
Crew | Walter Arrighetti | Software Team Lead |
Camera | Luciano Teolis | Camera Operator |
Camera | Luciano Teolis | First Assistant Camera |
Art | Massimo Bevacqua | Graphic Designer |
Visual Effects | Chiara Trinchera | Digital Compositor |
Editing | Claudio M. Cutry | Supervising Editor |
Sound | Lilio Rosato | Sound Designer |
Sound | Carlo Missidenti | Sound |
Production | Ilaria Zazzaro | Production Coordinator |
Art | Walter Arrighetti | Lead Set Dresser |
Costume & Make-Up | Claudia Santaniello | Set Costumer |
Production | Giorgio Santomaso | Location Manager |
Camera | Leandro Sabin Paz | Assistant Camera |
Writing | Ferdinando Vicentini Orgnani | Story |
Sound | Dave Tinsley | Recording Supervision |
Production | Cristiana Emidi | Production Accountant |
Crew | Paolo Galiano | Special Effects |
Editing | Giovanni Bivi | Colorist |
Camera | Simone Cirillo | Second Assistant Camera |
Camera | Domenico D'Andrea | First Assistant Camera |
Visual Effects | Giuseppe Squillaci | Visual Effects Supervisor |
Sound | Francesco Tumminello | Recording Supervision |
Camera | Stefano Di Pasquali | Grip |
Production | Antonella Parlato | Production Accountant |
Directing | Valentina de Amicis | Second Assistant Director |