A recently-deposed "Estrovian" monarch seeks shelter in New York City, where he becomes an accidental television celebrity. Later, he's wrongly accused of being a Communist and gets caught up in subsequent HUAC hearings.
Unfortunately the movie A King in New York is not yet available on HBO Max.
| Writing | Charlie Chaplin | Writer |
| Directing | Charlie Chaplin | Director |
| Production | John Merrick | Casting |
| Sound | Charlie Chaplin | Original Music Composer |
| Camera | Georges Périnal | Director of Photography |
| Art | Allan Harris | Art Direction |
| Art | Denys Pavitt | Art Direction |
| Art | Ferdinand Bellan | Production Design |
| Camera | Ron Drinkwater | Clapper Loader |
| Sound | Spencer Reeve | Sound Editor |
| Sound | Ernest Webb | Sound Assistant |
| Camera | Richard Cantouris | Still Photographer |
| Art | Maurice Pelling | Draughtsman |
| Costume & Make-Up | Eric Carter | Assistant Makeup Artist |
| Production | Eddie Pike | Production Manager |
| Directing | David Tringham | Third Assistant Director |
| Art | Bobby Murrell | Props |
| Visual Effects | Bob Cuff | Matte Painter |
| Camera | Jeff Seaholme | Camera Operator |
| Lighting | Jack Sullivan | Electrician |
| Production | Jerome Epstein | Associate Producer |
| Sound | John Aldred | Sound Mixer |
| Sound | Norman Bolland | Sound Assistant |
| Sound | A.J. Peters | Boom Operator |
| Costume & Make-Up | Jean Fairlie | Wardrobe Master |
| Directing | René Dupont | Assistant Director |
| Art | George Durant | Art Department Assistant |
| Art | Gordon Foster | Draughtsman |
| Crew | Julius Kay | Scenic Artist |
| Sound | Peter Dukelow | Boom Operator |
| Costume & Make-Up | John Wilson-Apperson | Wardrobe Supervisor |
| Art | Dickie Bamber | Props |
| Art | Graham Goodwin | Set Dresser |
| Art | Anthony Masters | Set Dresser |
| Costume & Make-Up | Muriel Dickson | Wardrobe Master |
| Costume & Make-Up | Stuart Freeborn | Makeup Artist |
| Directing | Jim Roddan | Third Assistant Director |
| Camera | Peter Nash | Focus Puller |
| Art | Tony Woollard | Draughtsman |
| Directing | Roy Stevens | Second Assistant Director |
| Art | Peter Mullins | Set Dresser |
| Sound | Bert Ross | Sound Recordist |
| Art | J. Hoare | Props |
| Sound | Bob Jones | Sound Recordist |
| Art | Harry Parr | Art Department Assistant |
| Camera | Eric Gray | Still Photographer |
| Costume & Make-Up | Helen Penfold | Hairstylist |
| Sound | John Cox | Sound Supervisor |
| Crew | Wally Veevers | Special Effects |
| Production | Theo Richmond | Publicist |
| Costume & Make-Up | Vi Murray | Wardrobe Master |
| Sound | Boris Sarbek | Music Arranger |
| Production | Jean Hamilton | Production Secretary |
| Sound | Peter Knight | Music Director |
| Sound | Leighton Lucas | Conductor |
| Costume & Make-Up | John Irwin | Wardrobe Assistant |
| Crew | Mickey Delamar | Production Controller |
| Editing | Henri Colpi | Assistant Editor |
| Sound | Eric James | Music |
| Sound | Dave Shand | Music |
| Directing | Barbara Cole | Continuity |
| Editing | Ernest Hosler | Assistant Editor |
| Directing | Mavis Lock | Continuity |
| Production | A.B. Richards | Production Accountant |
| Editing | Tony Bohy | Assistant Editor |
| Editing | Bill Asher | Assistant Editor |
| Production | Jean Williams | Production Secretary |
| Editing | John Seabourne Sr. | Editor |
| Production | Charlie Chaplin | Producer |
| Camera | Wally Fairweather | Focus Puller |
