Melvin Udall, a cranky, bigoted, obsessive-compulsive writer of romantic fiction, is rude to everyone he meets, including his gay neighbor, Simon. After Simon is hospitalized, Melvin finds his life turned upside down when he has to look after Simon's dog. In addition, Carol, the only waitress at the local diner who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast.
Unfortunately the movie As Good as It Gets is not yet available on HBO Max.
| Directing | James L. Brooks | Director |
| Writing | Mark Andrus | Screenplay |
| Writing | James L. Brooks | Screenplay |
| Crew | Felipe Savahge | Stunts |
| Crew | Bruce Gregory | Stunts |
| Crew | Phil O'Dell | Stunts |
| Crew | David LeBell | Stunts |
| Sound | Armen Ksajikian | Musician |
| Art | Mark Wade | Property Master |
| Directing | Ray Quiroz | Script Supervisor |
| Crew | Walter Scott | Stunt Coordinator |
| Production | Aldric La'Auli Porter | Associate Producer |
| Production | Maria Kavanaugh | Associate Producer |
| Production | John D. Schofield | Co-Producer |
| Production | Richard Marks | Co-Producer |
| Production | Richard Sakai | Executive Producer |
| Production | Laurence Mark | Executive Producer |
| Production | Laura Ziskin | Executive Producer |
| Production | Bridget Johnson | Producer |
| Production | Kristi Zea | Producer |
| Crew | Ken Fritz | Stunt Coordinator |
| Production | Jake Jacobson | Unit Production Manager |
| Production | John D. Schofield | Unit Production Manager |
| Directing | Aldric La'Auli Porter | First Assistant Director |
| Directing | William M. Connor | Second Assistant Director |
| Sound | David Giammarco | Supervising Sound Editor |
| Art | Masako Masuda | Assistant Art Director |
| Art | Brana Rosenfeld | Assistant Set Decoration |
| Art | John Naehrlich | Leadman |
| Art | John Hammer Maxwell | Set Dresser |
| Art | Bart C. Hubenthal | Set Dresser |
| Art | Scott G. Jones | Set Dresser |
| Art | John Maskovich | Set Dresser |
| Camera | Michael Stone | Camera Operator |
| Camera | Donald E. Thorin Jr. | First Assistant Camera |
| Camera | Michael Martinez | Second Assistant Camera |
| Sound | Renée Tondelli | ADR Supervisor |
| Sound | Patrick Drummond | Sound Effects Editor |
| Sound | Cindy Marty | Sound Effects Editor |
| Sound | Nicholas Korda | ADR Editor |
| Sound | Jonathan Klein | Foley Editor |
| Sound | Christopher Flick | Foley Editor |
| Sound | Zigmund Gron | Music Editor |
| Sound | Galen Goodpaster | First Assistant Sound Editor |
| Sound | Kira Edmunds | Assistant Sound Editor |
| Sound | Bill Ward | Assistant Sound Editor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Sound | Mark Smith | Sound Re-Recording Mixer |
| Sound | Andy Malcolm | Foley Artist |
| Sound | Richard Duarte | Foley Mixer |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Sound | Jeff Gomillion | ADR Mixer |
| Sound | Rudy Pi | Sound Recordist |
| Sound | Matt Colleran | Sound Recordist |
| Sound | Jeffrey Pollack | Music Supervisor |
| Sound | Adam Milo Smalley | Music Editor |
| Sound | Jeff Wexler | Sound Mixer |
| Sound | Don Coufal | Boom Operator |
| Crew | Gary Holland | Cableman |
| Lighting | Mike Moyer | Chief Lighting Technician |
| Lighting | David Burnett | Assistant Chief Lighting Technician |
| Camera | Michael M. Krevitt | Key Grip |
| Camera | Thomas Wazney | Best Boy Grip |
| Camera | Michael Connors | Dolly Grip |
| Crew | William B. Doane | Special Effects Coordinator |
| Costume & Make-Up | Donna Casey-Aira | Assistant Costume Designer |
| Costume & Make-Up | Elaine Ramires | Wardrobe Supervisor |
| Costume & Make-Up | Mary Elizabeth Still | Costumer |
| Costume & Make-Up | James Lapidus | Costumer |
| Costume & Make-Up | Michèle Burke | Makeup Supervisor |
| Costume & Make-Up | Stacye P. Branche | Makeup Artist |
| Costume & Make-Up | Darrell Redleaf-Fielder | Hairstylist |
| Costume & Make-Up | Linda Arnold | Hair Supervisor |
| Costume & Make-Up | Joy Zapata | Hairstylist |
| Production | Ralph Coleman | Location Manager |
| Production | S. Todd Christensen | Assistant Location Manager |
| Art | Gary Deaton | Construction Coordinator |
| Production | Yvonne Yaconelli | Production Office Coordinator |
| Art | Martin Charles | Graphic Designer |
| Visual Effects | George Merkert | Visual Effects Producer |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Editing | Dale E. Grahn | Color Timer |
| Production | Owen Wilson | Associate Producer |
| Camera | John Bailey | Director of Photography |
| Editing | Richard Marks | Editor |
| Production | Francine Maisler | Casting |
| Art | Bill Brzeski | Production Design |
| Art | Philip Toolin | Art Direction |
| Art | Clay A. Griffith | Set Decoration |
| Costume & Make-Up | Molly Maginnis | Costume Design |
| Costume & Make-Up | Carrie Angland | Makeup Artist |
| Directing | Hans Berggren | Other |
| Directing | Susan Perlman | Other |
| Production | Karen E. Etcoff | Casting |
| Crew | Julie Ansell | Thanks |
| Crew | Michael Besman | Thanks |
| Sound | Bruce Fowler | Orchestrator |
| Editing | Gena Bleier | Assistant Editor |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Crew | Chester E. Tripp III | Stunts |
| Sound | Dennis Drummond | Supervising Sound Editor |
| Lighting | Greg Addison | Lighting Technician |
| Writing | Mark Andrus | Story |
| Crew | Gene LeBell | Stunts |
| Sound | Hans Zimmer | Original Music Composer |
| Crew | BJ Davis | Stunt Double |
| Crew | Julia Davis | Stunt Coordinator |
| Crew | Julia Davis | Stunt Double |
| Editing | Hilary Schroeder | Assistant Editor |
| Editing | Jeffrey Ford | Assistant Editor |
| Crew | Denise Lynne Roberts | Stunts |
| Production | Barbara Harris | ADR Voice Casting |
| Art | Pablo Ferro | Title Designer |
| Visual Effects | Tim McGovern | Visual Effects Supervisor |
| Production | James L. Brooks | Producer |
