Year 2038: The mineral resources of the earth are drained, in space there are fights for the last deposits on other planets and satellites. This is the situation when one of the bigger mining corporations has lost all but one mineral moons and many of their fully automatic mining robots are disappearing on their flight home. Since nobody else wants the job, they send prisoners to defend the mining station. Among them undercover agent Stone, who shall clear the whereabouts of the expensive robots. In an atmosphere of corruption, fear and hatred he gets between the fronts of rivaling groups.
Unfortunately the movie Moon 44 is not yet available on HBO Max.
| Art | Oliver Scholl | Production Design |
| Production | Carsten H.W. Lorenz | Line Producer |
| Lighting | Horst Markgraf | Electrician |
| Lighting | Mario Müller | Electrician |
| Lighting | Christian Saalfeld | Electrician |
| Writing | Oliver Eberle | Screenplay |
| Editing | Tomy Wigand | Editor |
| Lighting | Honorat Stangl | Gaffer |
| Writing | Dean Heyde | Screenplay |
| Production | Ute Emmerich | Producer |
| Crew | Volker Engel | Special Effects |
| Crew | Theo Nischwitz | Special Effects |
| Art | Sven Hass | Set Decoration |
| Camera | Frank Scharl | Grip |
| Costume & Make-Up | Wolfgang Haupt | Set Dressing Artist |
| Production | Roland Emmerich | Producer |
| Costume & Make-Up | Robin Schannewitzki | Costume Design |
| Lighting | Wolfram Anders | Electrician |
| Production | Dean Heyde | Producer |
| Art | Frank Bollinger | Construction Coordinator |
| Sound | Hubert Bartholomae | Sound Designer |
| Sound | Chris Ledesma | Music Editor |
| Visual Effects | Carl Schmitt | Modeling |
| Camera | Karl Walter Lindenlaub | Director of Photography |
| Crew | Joachim Grüninger | Special Effects |
| Production | Michael Scordino | Executive Producer |
| Production | Joe Reich | Casting |
| Visual Effects | Bernd Kammermeier | Visual Effects |
| Lighting | Rainer Pfister | Best Boy Electrician |
| Costume & Make-Up | Ha Nguyen | Costume Design |
| Costume & Make-Up | Florian Lehner | Set Dressing Artist |
| Production | Jakob Claussen | Production Manager |
| Crew | Robert Gerard Brown | Second Unit |
| Costume & Make-Up | Marc Gäbelein | Set Dressing Artist |
| Directing | Roland Emmerich | Director |
| Visual Effects | Volker Engel | Visual Effects Supervisor |
| Lighting | Rainer Pfister | Electrician |
| Visual Effects | Hartmut Keller | Animation |
| Visual Effects | Hartmut Keller | Chief Technician / Stop-Motion Expert |
| Visual Effects | Klaus Knoesel | Animation |
| Visual Effects | Oliver Steegmueller | Chief Technician / Stop-Motion Expert |
| Visual Effects | Holger Neuhäuser | Animation |
| Visual Effects | Andreas Hoffmann | Chief Technician / Stop-Motion Expert |
| Camera | Thomas Ch. Weber | Additional Photography |
| Visual Effects | Sikander Goldau | I/O Supervisor |
| Directing | Andrea Wimmer | Script Supervisor |
| Camera | Markus Dürr | First Assistant Camera |
| Costume & Make-Up | Suleika Ulmen | Makeup Artist |
| Sound | Jack Smalley | Orchestrator |
| Art | Sonja B. Zimmer | Construction Coordinator |
| Costume & Make-Up | Delia Mündelein | Makeup Artist |
| Sound | Jens Hasler | Sound |
| Sound | Christopher L. Stone | Orchestrator |
| Writing | Oliver Eberle | Story |
| Writing | Dean Heyde | Story |
| Sound | Joel Goldsmith | Original Music Composer |
| Writing | P.J. Mitchell | Story |
| Writing | Roland Emmerich | Story |
