The Herlihys are a working class family from Chicago whose three children take wildly divergent paths: Brian joins the Marines right out of High School and goes to Vietnam, Michael becomes involved in the civil rights movement and after campaigning for Bobby Kennedy and Eugene McCarthy becomes involved in radical politics, and Katie gets pregnant, moves to San Francisco and joins a hippie commune. Meanwhile, the Taylors are an African-American family living in the deep South. When Willie Taylor, a minister and civil rights organizer, is shot to death, his son Emmet moves to the city and eventually joins the Black Panthers, serving as a bodyguard for Fred Hampton.
Unfortunately the movie The 60s is not yet available on HBO Max.
Writing | Robert Greenfield | Writer |
Art | Peter C. Clarke | Property Master |
Directing | Mark Piznarski | Director |
Writing | Bill Couturié | Writer |
Art | Amy Reiner | Art Department Assistant |
Production | George Herthel | Location Manager |
Directing | Tony Adler | Assistant Director |
Directing | Adell Aldrich | Script Supervisor |
Art | Ellen Totleben | Set Decoration |
Crew | Shane Dixon | Stunt Coordinator |
Writing | Jeffrey Alan Fiskin | Teleplay |
Production | Molly Lopata | Casting |
Editing | Robert Frazen | Editor |
Lighting | Glen Magers | Lighting Technician |
Editing | Clay Rawlins | Assistant Editor |
Sound | Tim Chilton | Foley |
Sound | Brian Adler | Original Music Composer |
Crew | Jimmy N. Roberts | Stunts |
Crew | Melissa Allen-Weiser | Stunts |
Crew | Charlie Brewer | Stunts |
Production | Jim Chory | Producer |
Camera | Michael D. O'Shea | Director of Photography |
Crew | Robert Aaron Brown | Driver |
Costume & Make-Up | June Brickman | Makeup Artist |
Sound | Jed Feuer | Original Music Composer |
Production | Judith Pritchard | Production Coordinator |
Art | Dawn Snyder | Art Direction |
Production | Lynda Obst | Executive Producer |
Costume & Make-Up | Michele Teleis-Fickle | Makeup Artist |
Sound | Craig M. Otte | Sound Re-Recording Mixer |
Camera | Michael A. Chavez | Camera Operator |
Sound | Bob Costanza | Sound Editor |
Sound | Gary Coppola | Sound Re-Recording Mixer |
Sound | Jim Henrikson | Music Editor |
Sound | Mark Allen | Sound Effects Editor |
Directing | Melanie Grefé | Assistant Director |
Production | Lee J. Bognar | Location Manager |
Visual Effects | Dennis Petersen | Special Effects Supervisor |
Art | Denise Pizzini | Set Decoration |
Crew | Mitch Toles | Stunts |
Crew | Fred Toye | Visual Effects Editor |
Costume & Make-Up | Mary-Anne Aston | Costume Supervisor |
Camera | Sean J. O'Shea | First Assistant Camera |
Sound | Ken Beauchene | Boom Operator |
Production | Mindy Sheldon | Production Accountant |
Production | Jake Jacobson | Unit Production Manager |
Editing | Gordon Antell | Assistant Editor |
Art | Robert 'Cass' McEntee | Construction Coordinator |
Camera | Michael Cassidy | First Assistant Camera |
Art | Vincent Jefferds | Production Design |
Costume & Make-Up | Kanani Wolf | Set Costumer |
Crew | Will Leong | Utility Stunts |
Production | Candace Suerstedt | Location Manager |
Sound | Dana Millman | Music Supervisor |
Art | Eric Sundahl | Set Designer |
Art | Laura Christy | Art Department Coordinator |
Camera | Wally Sweeterman | First Assistant Camera |
Crew | Mindy Miller | Stand In |
Camera | Clinton Dougherty | Camera Operator |
Crew | Lance Mancuso | Set Medic |
Sound | Kenn Fuller | Sound |
Crew | Minerva Adams | Stunts |
Crew | Jennifer Caputo | Stunts |
Costume & Make-Up | Steven Mack | Hair Department Head |
Crew | Ron Petruccione | Special Effects |
Crew | Kenneth Raich | Post Production Supervisor |
Crew | Fred Apolito | Prop Maker |
Crew | Stanton Barrett | Stunts |
Directing | Catherine Bond | Assistant Director |
Costume & Make-Up | Florence-Isabelle Megginson | Costume Design |
Camera | Jeff Case | Grip |
Lighting | Mike Weathers | Lighting Technician |
Sound | Dennis Fuller | Boom Operator |