During the Second World War, a special project is begun by the US Army Air Corps to integrate African American pilots into the Fighter Pilot Program. Known as the "Tuskegee Airman" for the name of the airbase at which they were trained, these men were forced to constantly endure harassement, prejudice, and much behind the scenes politics until at last they were able to prove themselves in combat.
Unfortunately the movie The Tuskegee Airmen is not yet available on HBO Max.
| Directing | Robert Markowitz | Director |
| Writing | Trey Ellis | Teleplay |
| Writing | Ron Hutchinson | Teleplay |
| Writing | Paris Qualles | Teleplay |
| Writing | Robert Williams | Story |
| Production | Robert Williams | Co-Executive Producer |
| Camera | Ron Orieux | Director of Photography |
| Production | Frank Price | Executive Producer |
| Production | Bill Carraro | Producer |
| Sound | Lee Holdridge | Music |
| Editing | David Beatty | Editor |
| Production | Carol Bahoric | Co-Producer |
| Production | Robi Reed | Casting |
| Art | Russell J. Smith | Art Direction |
| Art | Ernie Bishop | Set Decoration |
| Camera | Pernell Youngblood Tyus | Camera Operator |
| Camera | D. Stevens | Still Photographer |
| Directing | Dawn Gilliam | Script Supervisor |
| Costume & Make-Up | Denise Fischer | Makeup Artist |
| Costume & Make-Up | Dana Tanner | Makeup Artist |
| Sound | Nick Alphin | Sound Re-Recording Mixer |
| Directing | Benita Brazier | Script Supervisor |
| Lighting | John Janusek | Rigging Grip |
| Sound | Kristi Johns | Supervising ADR Editor |
| Costume & Make-Up | Scott Tomlinson | Assistant Costume Designer |
| Sound | Mark Heyes | Music Editor |
| Art | Sue Savage | Set Designer |
| Visual Effects | Michael Muscal | Visual Effects Supervisor |
| Camera | Frank M. Holgate | Aerial Director of Photography |
| Camera | George Wells | Dolly Grip |
| Sound | Stan Jones | Music Editor |
| Costume & Make-Up | Vicki Jones | Makeup Artist |
| Crew | Ray McIntyre Jr. | Digital Effects Supervisor |
| Sound | Scott C. Evans | Boom Operator |
| Production | Ángela Ortiz | Casting Associate |
| Art | Ronald O. Jaynes | Construction Coordinator |
| Sound | G. Michael Graham | Supervising Sound Editor |
| Costume & Make-Up | Nadyne Peoples | Key Hair Stylist |
| Lighting | Ross Warren | Rigging Gaffer |
| Sound | Robert L. Harman | Sound Re-Recording Mixer |
| Art | Christiaan Wagener | Production Design |
| Visual Effects | Billy Williams | Visual Effects Coordinator |
| Camera | David L. Butler | Aerial Director of Photography |
| Costume & Make-Up | Craig Anthony | Wardrobe Supervisor |
| Art | Tom Reta | Assistant Art Director |
| Camera | Lindy Alsobrooks | Key Grip |
| Costume & Make-Up | Heidi Kure | Set Costumer |
| Costume & Make-Up | Ileane Meltzer | Costume Design |
| Costume & Make-Up | Stacye P. Branche | Key Makeup Artist |
| Lighting | Bob Fox | Gaffer |
| Sound | Wayne Artman | Sound Re-Recording Mixer |
| Costume & Make-Up | Steve Marshall | Makeup Artist |
| Art | Suzanne Lapick | Property Master |
| Camera | Randy Feemster | Aerial Camera |
| Art | Mary Louise Stoughton | Art Department Coordinator |
| Crew | Fred Cramer | Special Effects Coordinator |
| Editing | Z. Jean Woods | First Assistant Editor |
