During the Second World War, a special project is begun by the US Army Air Corps to integrate African American pilots into the Fighter Pilot Program. Known as the "Tuskegee Airman" for the name of the airbase at which they were trained, these men were forced to constantly endure harassement, prejudice, and much behind the scenes politics until at last they were able to prove themselves in combat.
Unfortunately the movie The Tuskegee Airmen is not yet available on HBO Max.
| Directing | Robert Markowitz | Director |
| Writing | Ron Hutchinson | Teleplay |
| Writing | Paris Qualles | Teleplay |
| Writing | Trey Ellis | Teleplay |
| Writing | Robert Williams | Story |
| Production | Robert Williams | Co-Executive Producer |
| Editing | David Beatty | Editor |
| Art | Russell J. Smith | Art Direction |
| Costume & Make-Up | Vicki Jones | Makeup Artist |
| Art | Mary Louise Stoughton | Art Department Coordinator |
| Crew | Fred Cramer | Special Effects Coordinator |
| Editing | Z. Jean Woods | First Assistant Editor |
| Costume & Make-Up | Stacye P. Branche | Key Makeup Artist |
| Lighting | Bob Fox | Gaffer |
| Sound | G. Michael Graham | Supervising Sound Editor |
| Visual Effects | Billy Williams | Visual Effects Coordinator |
| Camera | George Wells | Dolly Grip |
| Camera | Lindy Alsobrooks | Key Grip |
| Camera | D. Stevens | Still Photographer |
| Costume & Make-Up | Nadyne Peoples | Key Hair Stylist |
| Lighting | Ross Warren | Rigging Gaffer |
| Art | Christiaan Wagener | Production Design |
| Art | Tom Reta | Assistant Art Director |
| Camera | David L. Butler | Aerial Director of Photography |
| Art | Ernie Bishop | Set Decoration |
| Camera | Pernell Youngblood Tyus | Camera Operator |
| Sound | Nick Alphin | Sound Re-Recording Mixer |
| Sound | Kristi Johns | Supervising ADR Editor |
| Production | Carol Bahoric | Co-Producer |
| Costume & Make-Up | Denise Fischer | Makeup Artist |
| Costume & Make-Up | Dana Tanner | Makeup Artist |
| Costume & Make-Up | Heidi Kure | Set Costumer |
| Directing | Benita Brazier | Script Supervisor |
| Directing | Dawn Gilliam | Script Supervisor |
| Art | Ronald O. Jaynes | Construction Coordinator |
| Costume & Make-Up | Craig Anthony | Wardrobe Supervisor |
| Camera | Ron Orieux | Director of Photography |
| Crew | Ray McIntyre Jr. | Digital Effects Supervisor |
| Production | Ángela Ortiz | Casting Associate |
| Costume & Make-Up | Scott Tomlinson | Assistant Costume Designer |
| Sound | Mark Heyes | Music Editor |
| Production | Bill Carraro | Producer |
| Sound | Lee Holdridge | Music |
| Production | Robi Reed | Casting |
| Camera | Frank M. Holgate | Aerial Director of Photography |
| Sound | Wayne Artman | Sound Re-Recording Mixer |
| Production | Frank Price | Executive Producer |
| Art | Suzanne Lapick | Property Master |
| Costume & Make-Up | Ileane Meltzer | Costume Design |
| Visual Effects | Michael Muscal | Visual Effects Supervisor |
| Camera | Randy Feemster | Aerial Camera |
| Art | Sue Savage | Set Designer |
| Sound | Robert L. Harman | Sound Re-Recording Mixer |
| Costume & Make-Up | Steve Marshall | Makeup Artist |
| Lighting | John Janusek | Rigging Grip |
| Sound | Scott C. Evans | Boom Operator |
| Sound | Stan Jones | Music Editor |
