Vampish miss Dolan hires hardboiled P.I. Harry Dobbs to tail her shady boyfriend. Harry realizes that the man leads a double life but then his client disappears. Harry teams up with his own tail, P.I. Stella Wynkowski, to clear things up.
Unfortunately the movie Love at Large is not yet available on HBO Max.
Directing | Alan Rudolph | Director |
Art | Susan Mina Eschelbach | Set Decoration |
Production | Pam Dixon | Casting |
Production | Stuart M. Besser | Associate Producer |
Directing | Jerry Ziesmer | First Assistant Director |
Art | Steve Karatzas | Art Direction |
Production | Dana Mayer | Executive Producer |
Costume & Make-Up | Cynthia Barr | Makeup Artist |
Directing | Ricardo Méndez Matta | Second Assistant Director |
Costume & Make-Up | Ingrid Ferrin | Costume Design |
Costume & Make-Up | Kathy W. Estocin | Hairstylist |
Production | David Blocker | Unit Production Manager |
Directing | Michael-McCloud Thompson | Second Assistant Director |
Costume & Make-Up | Doreen Vantyne | Assistant Makeup Artist |
Production | Larry Jackson | Executive In Charge Of Production |
Production | Patti Carns Kalles | Casting |
Writing | Alan Rudolph | Writer |
Crew | Greg Walker | Stunts |
Sound | Matthew Iadarola | Sound Re-Recording Mixer |
Camera | Ed Fine | Second Assistant Camera |
Sound | Laura Derrick | Boom Operator |
Crew | Victoria Vanderkloot | Stunts |
Sound | Dale Strumpell | Sound Re-Recording Mixer |
Camera | Eric Alan Edwards | Additional Camera |
Sound | Michael Steinfeld | Sound Effects Editor |
Art | David Dunbar | Assistant Property Master |
Art | Wayde Ferguson | Assistant Property Master |
Crew | Vincent Montefusco | Special Effects Assistant |
Camera | Matthew Jacobsen | Grip |
Production | Charles Harrington | Location Manager |
Production | Sara Burton | Assistant Location Manager |
Art | Mary Ellen Deckelman | Art Department Assistant |
Crew | John Oules | Stand In |
Sound | Gary Gegan | ADR Mixer |
Art | Christine Wilson | Title Designer |
Crew | Rebecca Revak | Cableman |
Costume & Make-Up | Shari Griffin | Costume Assistant |
Crew | Frank Ceglia | Special Effects |
Camera | Richard Mall | Key Grip |
Production | Stacy King | Production Secretary |
Production | Jean Medley | Extras Casting |
Art | Miriam Seger | Set Dresser |
Camera | Joyce Rudolph | Still Photographer |
Sound | Melissa Lytle | Apprentice Sound Editor |
Lighting | Bob Calnan | Electrician |
Production | Michael Sullivan | Location Assistant |
Crew | Stanley Brossette | Unit Publicist |
Production | Jeri Mata-Erickson | Extras Casting Assistant |
Art | Fran Barth | Leadman |
Crew | Pat Stubbs | Transportation Captain |
Crew | Annette Osaka | Stand In |
Crew | Todd Hermanson | Stand In |
Editing | Tatiana S. Riegel | First Assistant Editor |
Sound | Karen G. Wilson | Dialogue Editor |
Crew | Daniel W. Barringer | Stunts |
Camera | Frederick Iannone | First Assistant Camera |
Sound | Mark P. Stoeckinger | Sound Effects Editor |
Sound | Teresa Book | Assistant Dialogue Editor |
Camera | Bruce Bellamy | Grip |
Camera | Gary Yahn | Grip |
Crew | Bruce Simballa | Transportation Coordinator |
Sound | Gary Gegan | Foley Mixer |
Crew | Sara Burton | Post Production Assistant |
Lighting | John Carney | Best Boy Electric |
Art | Patty Backer | Art Department Assistant |
Sound | Susumu Tokunow | Production Sound Mixer |
Costume & Make-Up | Marychris Mass | Seamstress |
Art | Tony Maccario | Property Master |
Camera | Vince Onken | Grip |
Costume & Make-Up | Julia Bartholomew | Costume Assistant |
Crew | Greg Walker | Stunt Coordinator |
Production | Sarah Bartfield | Casting Associate |
Crew | Greg Wayne Elam | Stunts |
Camera | Deirdre Arbucci | Second Assistant Camera |
Production | Shannon Smith | Assistant Production Coordinator |
Lighting | Andy Day | Electrician |
Crew | Grady Walker | Stunts |
Art | Randy Eriksen | Set Dresser |
Editing | Timothy Mozer | Assistant Editor |
Sound | Cliff Latimer | Dialogue Editor |
Art | John Ceniceros | Assistant Art Director |
Sound | Richard King | Supervising Sound Editor |
Sound | Doug Kent | Assistant Sound Editor |
Camera | James Glennon | Additional Photography |
Crew | Steven Eyrse | Scenic Artist |
Art | Charles T. Riggs | Construction Coordinator |
Costume & Make-Up | Grania Preston | Key Costumer |
Art | Nina Ruscio | Assistant Art Director |
Sound | Cliff Latimer | ADR Editor |
Directing | Karen Thorndike | Script Supervisor |
Camera | Thomas Crawford | Grip |
Art | David Saltzman | Swing |
Crew | Angel Amend | Stand In |
Crew | Glenda Renzetti | Stand In |
Sound | Matt Patterson | Sound Recordist |
Sound | Gary A. Hecker | Foley Artist |
Sound | Edward M. Steidele | Foley Artist |
Production | Janice Reynolds | Production Coordinator |
Art | Linda Dixon | Art Department Assistant |
Art | Tom DeWolf | Art Department Assistant |
Art | Marla Harper | Swing |
Costume & Make-Up | Doreen Vantyne | Assistant Hairstylist |
Camera | Randall S. Timmerman | Additional Camera |
Camera | Richard Mall | Dolly Grip |
Camera | Andreas Crawford | Best Boy Grip |
Crew | Diane Michalek | Post Production Assistant |
Lighting | Morris Flam | Gaffer |
Lighting | John Vecchio | Electrician |
Art | John Pearson-Denning | Set Dresser |
Art | Anne Seward | Swing |
Production | Richard S. Wright | Location Manager |
Production | Patti Carns Kalles | Location Casting |
Art | Benjamin Hayden | Swing |
Lighting | Joseph P. Clem | Electrician |
Lighting | Michael K. Davis | Electrician |
Production | Merry-Beth Noble | Production Secretary |
Production | Michael Donner | Production Accountant |
Art | Mike Denning | Swing |
Sound | Robin Johnston | Sound Recordist |
Editing | Mike Milliken | Color Timer |
Sound | Mark 'Frito' Long | Sound Recordist |
Editing | Lisa Zeno Churgin | Editor |
Art | Steven Legler | Production Design |
Sound | Mark Isham | Original Music Composer |
Production | David Blocker | Producer |
Camera | Elliot Davis | Director of Photography |