During the Blitz of World War II, a female screenwriter works on a film celebrating England's resilience as a way to buoy a weary populace's spirits. Her efforts to dramatise the true story of two sisters who undertook their own maritime mission to rescue wounded soldiers are met with mixed feelings by a dismissive all-male staff.
Unfortunately the movie Their Finest is not yet available on HBO Max.
Directing | Lone Scherfig | Director |
Writing | Gaby Chiappe | Screenplay |
Writing | Lissa Evans | Novel |
Crew | Jo McLaren | Stunt Coordinator |
Directing | James Manning | Second Assistant Director |
Crew | Simon McLaren-Clark | Stunts |
Crew | Dan Hirst | Stunts |
Directing | Jack Ravenscroft | First Assistant Director |
Crew | Gavin Lee Lewis | Stunts |
Production | Vanessa Baker | ADR Voice Casting |
Editing | Lucia Zucchetti | Editor |
Lighting | Ian Glenister | Rigging Gaffer |
Production | Amanda Posey | Producer |
Costume & Make-Up | Hannah Walter | Costume Supervisor |
Sound | Martin Trevis | Sound Recordist |
Art | Lynne Huitson | Supervising Art Director |
Production | Stephen Woolley | Producer |
Visual Effects | Alan Banis | Visual Effects Supervisor |
Sound | Glenn Freemantle | Supervising Sound Editor |
Lighting | Brian Beaumont | Gaffer |
Visual Effects | Chris Reynolds | Special Effects Supervisor |
Crew | Jade Poole | Special Effects Coordinator |
Art | Alice Normington | Production Design |
Visual Effects | Erica Winkler | Visual Effects Coordinator |
Sound | Andrew Caller | Sound Re-Recording Mixer |
Costume & Make-Up | Catriona Johnstone | Hairstylist |
Costume & Make-Up | Elizabeth Yianni-Georgiou | Hair Designer |
Production | Finola Dwyer | Producer |
Directing | Irene Chawko | Script Supervisor |
Sound | Nina Hartstone | ADR Editor |
Sound | Ben Barker | Supervising Sound Editor |
Art | Craig Price | Property Master |
Sound | Peter Burgis | Foley |
Sound | Nina Hartstone | Supervising Dialogue Editor |
Costume & Make-Up | Bella Ava Georgiou | Makeup Artist |
Sound | Laura Katz | Music Supervisor |
Sound | Christoph Bauschinger | Music Editor |
Costume & Make-Up | Eva Marieges Moore | Makeup Artist |
Art | Jonathan Houlding | Art Direction |
Art | Liz Griffiths | Set Decoration |
Costume & Make-Up | Hanna Canfor | Hairstylist |
Camera | Sebastian Blenkov | Director of Photography |
Art | Gareth Cousins | Art Direction |
Art | Nic Pallace | Supervising Art Director |
Camera | Kevin Foy | Key Grip |
Sound | Glenn Freemantle | Sound Designer |
Camera | Nicola Dove | Still Photographer |
Sound | Glen Gathard | Foley |
Costume & Make-Up | Elizabeth Yianni-Georgiou | Makeup Designer |
Production | Kate Hazell | Unit Production Manager |
Crew | Polly Duval | Post Production Supervisor |
Production | Robert Norris | Executive Producer |
Production | Ed Wethered | Executive Producer |
Production | Emma Crompton | Casting Assistant |
Production | Andy Surry | Production Coordinator |
Art | Howard Watkins | Title Designer |
Production | Zygi Kamasa | Executive Producer |
Production | Christine Langan | Executive Producer |
Production | Lucy Bevan | Casting |
Production | Ivan Dunleavy | Executive Producer |
Art | Simon Baber | Location Scout |
Production | Richard Mansell | Associate Producer |
Production | Jim Spencer | Line Producer |
Sound | Rachel Portman | Original Music Composer |
Visual Effects | Daniel Nielsen | Visual Effects Supervisor |
Sound | James Wichall | Dialogue Editor |
Production | Kate Rhodes James | Casting |
Production | Thorsten Schumacher | Executive Producer |
Costume & Make-Up | Charlotte Walter | Costume Designer |
Production | Elizabeth Karlsen | Producer |
Production | Peter Watson | Executive Producer |