A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).
Unfortunately the movie Godzilla is not yet available on HBO Max.
Production | Tomoyuki Tanaka | Producer |
Sound | Fabio Frizzi | Original Music Composer |
Production | Luigi Cozzi | Executive Producer |
Sound | Franco Bixio | Original Music Composer |
Directing | Luigi Cozzi | Director |
Editing | Alberto Moro | Editor |
Production | Renato Barbieri | Executive Producer |
Sound | Vince Tempera | Original Music Composer |
Production | Teruo Maki | Production Manager |
Sound | Hisashi Shimonaga | Sound Recordist |
Crew | Giuseppe Festino | Title Graphics |
Sound | Norio Tone | Sound Recordist |
Art | Kyuzo Yamamoto | Property Master |
Lighting | Chōshirō Ishii | Lighting Technician |
Production | Iwao Mori | Executive Producer |
Art | Teizô Toshimitsu | Sculptor |
Lighting | Kuichirô Kishida | Lighting Technician |
Costume & Make-Up | Yasuei Yagi | Costume Designer |
Costume & Make-Up | Yoshio Suzuki | Assistant Costume Designer |
Visual Effects | Motoyoshi Tomioka | Visual Effects Camera |
Costume & Make-Up | Masao Yagi | Assistant Costume Designer |
Crew | Motoyoshi Tomioka | Special Effects |
Costume & Make-Up | Kanju Yagi | Costume Designer |
Visual Effects | Yôichi Manoda | Visual Effects Camera |
Visual Effects | Hajime Tsuburaya | Visual Effects Camera |
Crew | Sei Ikeno | Additional Music |
Crew | Hajime Tsuburaya | Special Effects |
Costume & Make-Up | Fuminori Ōhashi | Costume Designer |
Visual Effects | Eiji Tsuburaya | Visual Effects Director |
Visual Effects | Yasuaki Sakamoto | Visual Effects Production Manager |
Crew | Sadamasa Arikawa | Special Effects |
Crew | Yôichi Manoda | Special Effects |
Camera | Masao Tamai | Director of Photography |
Camera | Guy Roe | Director of Photography |
Writing | Shigeru Kayama | Novel |
Editing | Armando Valcauda | Colorist |
Art | Satoru Chûko | Production Design |
Writing | Shigeru Kayama | Lyricist |
Crew | Eiji Tsuburaya | Special Effects |
Costume & Make-Up | Teizô Toshimitsu | Costume Designer |
Art | Satoru Chûko | Art Direction |
Art | Takeo Kita | Production Design |
Writing | Shigeru Kayama | Original Story |
Production | Franco Foco | Consulting Producer |
Visual Effects | Armando Valcauda | Visual Effects |
Production | Giovanni Mongini | Consulting Producer |
Directing | Lillo Capoano | Script Supervisor |
Production | Luigi Valerio | Consulting Producer |
Writing | Luigi Cozzi | Story Editor |
Directing | Koji Kajita | First Assistant Director |
Visual Effects | Sadamasa Arikawa | VFX Director of Photography |
Visual Effects | Kuichirô Kishida | VFX Lighting Artist |
Crew | Shoji Ogawa | Special Effects |
Camera | Yuzuru Aizawa | Assistant Camera |
Lighting | Shinji Kojima | Assistant Gaffer |
Lighting | Seishichi Kojima | Assistant Gaffer |
Directing | Susumu Takebayashi | Second Assistant Director |
Visual Effects | Teizô Toshimitsu | Modeling |
Visual Effects | Kanju Yagi | Modeling |
Visual Effects | Yasuei Yagi | Modeling |
Costume & Make-Up | Masao Yagi | Costume Designer |
Visual Effects | Masao Yagi | Modeling |
Visual Effects | Yoshio Suzuki | Modeling |
Costume & Make-Up | Yoshio Suzuki | Costume Designer |
Sound | Nobuyuki Tanaka | Sound Assistant |
Costume & Make-Up | Eizo Kaimai | Costume Designer |
Visual Effects | Eizo Kaimai | Modeling |
Costume & Make-Up | Fuminori Ōhashi | Costume Consultant |
Production | Joseph E. Levine | Executive Producer |
Production | Terry Turner | Executive Producer |
Production | Edward B. Barison | Producer |
Production | Harry Rybnick | Producer |
Production | Richard Kay | Producer |
Production | Harold Ross | Producer |
Production | Edmund Goldman | Executive Producer |
Sound | Terry Morse Jr. | Assistant Sound Editor |
Editing | Kazuji Taira | Editor |
Editing | Terry Morse Jr. | Assistant Editor |
Production | Paul Schreibman | Producer |
Art | George R. Rohrs | Set Decoration |
Editing | Terry O. Morse | Supervising Film Editor |
Writing | Luigi Cozzi | Story |
Writing | Tomoyuki Tanaka | Story |
Writing | Eiji Tsuburaya | Story |
Writing | Terry O. Morse | Story |
Writing | Takeo Murata | Screenplay |
Writing | Ishirō Honda | Screenplay |
Writing | Al C. Ward | Screenplay |
Directing | Ira Webb | Assistant Director |
Directing | Ishirō Honda | Director |
Directing | Terry O. Morse | Director |
Sound | Akira Ifukube | Music |
Art | Takeo Kita | Art Direction |
Sound | Ichirô Minawa | Sound Effects |
Sound | Ichirô Minawa | Sound Effects Editor |
Sound | Arthur B. Smith | Sound |
Sound | George R. Rohrs | Sound Effects Editor |
Visual Effects | Eiji Tsuburaya | Visual Effects |
Crew | Akira Watanabe | Visual Effects Art Director |
Visual Effects | Hiroshi Mukoyama | Visual Effects |
Visual Effects | Sadao Iizuka | Visual Effects |
Visual Effects | Shuzaburo Araki | Visual Effects |
Visual Effects | Taka Yuki | Visual Effects |
Crew | Yasuyuki Inoue | Visual Effects Art Director |
Crew | Yoshio Irie | Visual Effects Art Director |
Crew | Tohl Narita | Visual Effects Art Director |