In the midst of World War II, the battle under the sea rages and the Nazis have the upper hand as the Allies are unable to crack their war codes. However, after a wrecked U-boat sends out an SOS signal, the Allies realise this is their chance to seize the 'enigma coding machine'.
Unfortunately the movie U-571 is not yet available on HBO Max.
| Writing | David Ayer | Screenplay |
| Production | Dino De Laurentiis | Producer |
| Directing | Jonathan Mostow | Director |
| Writing | Sam Montgomery | Screenplay |
| Camera | Oliver Wood | Director of Photography |
| Production | Martha De Laurentiis | Producer |
| Sound | Richard Marvin | Original Music Composer |
| Editing | Wayne Wahrman | Editor |
| Art | Marco Trentini | Art Direction |
| Art | Robert Gould | Set Decoration |
| Art | Cynthia Sleiter | Set Decoration |
| Costume & Make-Up | April Ferry | Costume Design |
| Art | Robert Woodruff | Art Direction |
| Art | William Ladd Skinner | Production Design |
| Production | Carol Lewis | Casting |
| Costume & Make-Up | Augusto Grassi | Costume Supervisor |
| Art | Maria Teresa Barbasso | Art Direction |
| Crew | Mark Norby | Stunt Double |
| Crew | Allen Hall | Special Effects Coordinator |
| Art | Götz Weidner | Production Design |
| Camera | Michael T. Travers | Key Grip |
| Costume & Make-Up | Luigi Rocchetti | Key Makeup Artist |
| Costume & Make-Up | Vincenzo Mastrantonio | Makeup Artist |
| Crew | Tommy Dorsett | Visual Effects Editor |
| Sound | Keith Bilderbeck | Sound Designer |
| Crew | Shawn Broes | Visual Effects Editor |
| Visual Effects | Peter Donen | Visual Effects Supervisor |
| Sound | Miguel Rivera | Foley Editor |
| Production | Sara Lewis | Casting Associate |
| Editing | Karen Dimmig | Assistant Editor |
| Lighting | David Farrugia | Lighting Technician |
| Crew | Thomas J. Smith | Digital Effects Supervisor |
| Costume & Make-Up | Donna Berwick | Assistant Costume Designer |
| Visual Effects | David Dwiggins | Visual Effects Producer |
| Crew | Lubo Hristov | Visual Effects Art Director |
| Sound | Andrea Dallimonti | Boom Operator |
| Camera | Gianmaria Majorana | Camera Operator |
| Camera | Mario Tursi | Still Photographer |
| Costume & Make-Up | Claudio Manzi | Assistant Costume Designer |
| Costume & Make-Up | Maurizio Silvi | Makeup Artist |
| Art | Irene Mifsud-Bonnici | Art Department Coordinator |
| Art | Fernando Valento | Construction Coordinator |
| Crew | Dana Kristen Vahle | Aerial Coordinator |
| Crew | Leontine Snell | Choreographer |
| Crew | David Sosalla | Digital Effects Supervisor |
| Art | Annick Biltresse | Art Department Coordinator |
| Art | Antonio Fraulo | Property Master |
| Camera | Bruno Colanzi | Key Grip |
| Sound | Edward Steidele | Foley |
| Sound | Jon Johnson | Supervising Sound Editor |
| Crew | Lance Julian | Marine Coordinator |
| Costume & Make-Up | Elisabetta De Leonardis | Hairstylist |
| Sound | Robert Troy | Dialogue Editor |
| Production | Gail Stevens | Casting |
| Costume & Make-Up | Giancarlo De Leonardis | Hairstylist |
| Visual Effects | Jamie Dixon | Lead Animator |
| Lighting | James B. Crawford | Gaffer |
| Visual Effects | Erin M. Cullen | Roto Supervisor |
| Sound | Sandy Gendler | Sound Designer |
| Lighting | Antonio Gasbarini | Gaffer |
| Crew | Jon Baker | Armorer |
| Visual Effects | Richard O. Helmer | Special Effects Supervisor |
| Camera | Daniele Massaccesi | Camera Operator |
| Camera | Rexford L. Metz | Second Unit Director of Photography |
| Visual Effects | Darin McCormick-Millett | Visual Effects Producer |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Visual Effects | Sandy DellaMarie | Visual Effects Coordinator |
| Editing | Gordon Antell | First Assistant Editor |
| Costume & Make-Up | Mauro Tamagnini | Hairstylist |
| Sound | Charles Maynes | Sound Effects Editor |
| Camera | Aldo Chessari | Underwater Camera |
| Directing | Cheryl Starbuck | Script Supervisor |
| Costume & Make-Up | Paola Genovese | Hairstylist |
| Visual Effects | Henric Nieminen | Visual Effects Coordinator |
| Visual Effects | Mark Freund | Visual Effects Supervisor |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Production | Kate Dowd | Casting |
| Editing | Liberata Zocchi | Assistant Editor |
| Costume & Make-Up | Renato Francola | Makeup Artist |
| Sound | Frank Fleming | Sound Recordist |
| Sound | Petra Bach | ADR Editor |
| Sound | Michele Perrone | ADR Editor |
| Directing | Dianne Dreyer | Script Supervisor |
| Crew | Monica Amadori | Pilot |
| Crew | Ezio Canesso | Pilot |
| Costume & Make-Up | Frances Mathias | Hairstylist |
| Visual Effects | Thad Beier | Visual Effects Supervisor |
| Visual Effects | Marc Banich | Special Effects Supervisor |
| Sound | Angelo Palazzo | Sound Effects Editor |
| Camera | Vincenzo Carpineta | Camera Operator |
| Camera | Fabio Zamarion | Camera Operator |
| Costume & Make-Up | Stefano De Nardis | Assistant Costume Designer |
| Costume & Make-Up | Vittorio Torrieri | Tailor |
| Visual Effects | Richard O. Helmer | Visual Effects Supervisor |
| Sound | Jerry Trent | Foley |
| Sound | Donald Sylvester | Foley Editor |
| Sound | Tim Gedemer | Sound Designer |
| Sound | Val Kuklowsky | Supervising ADR Editor |
| Crew | Pat Romano | Stunts |
| Sound | Donald Banks | Boom Operator |
| Sound | Ivan Sharrock | Production Sound Mixer |
