The opera's dramatic structure frames and enhances the characters. Scenes of magnificence regularly alternate with scenes of darkness and squalor. From sumptuous interiors, we move to a dark street, a lonely inn. The secondary figures are astutely counterpoised: the plotting courtiers against the plotting Sparafucile and Maddalena (also ambiguously tender-hearted). When Rigoletto says "Pari siamo", he could be expressing the motto of the whole work: the beautiful and the ugly can be equally good, equally evil.
Unfortunately the movie Rigoletto is not yet available on HBO Max.
Sound | Giuseppe Verdi | Original Music Composer |
Production | Michael Bronson | Producer |
Writing | Francesco Maria Piave | Writer |
Directing | Brian Large | Director |
Directing | John Dexter | Director |
Writing | Victor Hugo | Original Story |
Production | Anthony A. Bliss | General Manager |
Art | John Dexter | Production Design |
Production | Clemente D'Alessio | Producer |
Crew | Norbert Vesak | Choreographer |
Art | Tanya Moiseiwitsch | Set Designer |
Costume & Make-Up | Victor Callegari | Makeup Artist |
Costume & Make-Up | Nina Lawson | Hairstylist |
Costume & Make-Up | Christina Calamari | Wardrobe Master |
Lighting | Gil Wechsler | Lighting Design |
Production | Michael Bronson | Executive Producer |
Sound | James Levine | Music Director |
Production | Karen Adler Barbosa | Associate Producer |
Costume & Make-Up | Tanya Moiseiwitsch | Costume Designer |
Sound | Jay David Saks | Sound Director |