In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
Unfortunately the movie The English Patient is not yet available on HBO Max.
| Directing | Anthony Minghella | Director |
| Production | Saul Zaentz | Producer |
| Production | Harvey Weinstein | Executive Producer |
| Production | Bob Weinstein | Executive Producer |
| Production | Scott Greenstein | Executive Producer |
| Production | Alessandro von Norman | Line Producer |
| Sound | Gabriel Yared | Original Music Composer |
| Camera | John Seale | Director of Photography |
| Editing | Walter Murch | Editor |
| Production | Michelle Guish | Casting |
| Production | David Rubin | Casting |
| Art | Stuart Craig | Production Design |
| Art | Aurelio Crugnola | Art Direction |
| Costume & Make-Up | Ann Roth | Costume Design |
| Writing | Anthony Minghella | Screenplay |
| Writing | Michael Ondaatje | Novel |
| Production | Franco Ballati | Unit Production Manager |
| Production | Lynn Kamern | Unit Production Manager |
| Directing | Steve E. Andrews | First Assistant Director |
| Directing | Emma Schofield | Second Assistant Director |
| Costume & Make-Up | Fabrizio Sforza | Makeup Artist |
| Costume & Make-Up | Gary Jones | Co-Costume Designer |
| Directing | Dianne Dreyer | Script Supervisor |
| Crew | Larry Kaplan | Unit Publicist |
| Crew | Carolyn Choa | Choreographer |
| Lighting | Morris Flam | Gaffer |
| Camera | John Seale | Camera Operator |
| Sound | Chris Newman | Sound Recordist |
| Sound | Ivan Sharrock | Sound Recordist |
| Sound | Marc-Jon Sullivan | Boom Operator |
| Sound | Donald Banks | Boom Operator |
| Camera | Tommaso Mele | Key Grip |
| Lighting | Michele Mele | Rigging Grip |
| Lighting | Giuseppe Meloni | Rigging Gaffer |
| Art | Aurelio Crugnola | Set Decoration |
| Art | Stephenie McMillan | Set Decoration |
| Art | Neil Lamont | Assistant Art Director |
| Art | Franco Fumagalli | Assistant Art Director |
| Art | Alessandra Querzola | Assistant Set Decoration |
| Art | John Bush | Assistant Set Decoration |
| Art | Luigi Quintili | Construction Coordinator |
| Art | Tony Teiger | Property Master |
| Costume & Make-Up | Louise Constad | Makeup Artist |
| Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
| Costume & Make-Up | Giuseppe Desiato | Makeup Artist |
| Costume & Make-Up | Antonio Maltempo | Makeup Artist |
| Visual Effects | Richard Conway | Special Effects Supervisor |
| Sound | Pat Jackson | Supervising Sound Editor |
| Sound | Sara Bolder | Dialogue Editor |
| Sound | John Nutt | Dialogue Editor |
| Sound | Mark Levinson | ADR Supervisor |
| Sound | Malcolm Fife | Foley Editor |
| Sound | Richard Duarte | Foley Mixer |
| Sound | Walter Murch | Sound Re-Recording Mixer |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Sound | David Parker | Sound Re-Recording Mixer |
| Sound | Robert Randles | Music Editor |
| Editing | Gary Burritt | Negative Cutter |
| Editing | William Pine | Color Timer |
| Art | Deborah Ross | Title Designer |
| Sound | Richard Quinn | ADR Editor |
| Production | Paul Zaentz | Associate Producer |
| Production | Steve E. Andrews | Associate Producer |
| Art | Tony Wright | Storyboard Artist |
| Art | Steve Clarke | Standby Painter |
| Sound | Dianna Stirpe | Dialogue Editor |
