While on a mission to locate three missing soldiers, a team of reconnaissance marines encounter a blood-spattered Iraqi stumbling through the desert. After following the distraught man into the depths of an insurgent cave, the marines make a horrifying discovery bringing them face-to-face with an ancient evil.
Unfortunately the movie Road to Moloch is not yet available on HBO Max.
| Camera | Jeff Dolen | Director of Photography |
| Directing | Robert Glickert | Director |
| Sound | Gregory Tripi | Original Music Composer |
| Editing | Dylan Highsmith | Editor |
| Writing | Ross Duffer | Screenplay |
| Writing | Matt Duffer | Screenplay |
| Writing | Robert Glickert | Story |
| Directing | Craig Duda | Second Assistant Director |
| Production | Claudia Didomenico | Producer |
| Production | Ashley Friedlander | Casting |
| Production | Eric Edmonds | Unit Production Manager |
| Art | Ben Phen | Set Dresser |
| Production | Eric Edmonds | Co-Producer |
| Sound | Kyle Higgins | Dialogue Editor |
| Crew | Iyad Hajjaj | Stunts |
| Production | Keegan Wilcox | Executive Producer |
| Crew | Troy Brenna | Stunts |
| Crew | Lee Whittaker | Stunts |
| Sound | Kyle Higgins | Production Sound Mixer |
| Crew | Ana Preciado | Special Effects |
| Crew | Mark Villalobos | Special Effects |
| Directing | Paul Lindsay | Additional Second Assistant Director |
| Art | Mitch Fait | Construction Coordinator |
| Production | Ashley Friedlander | Unit Production Manager |
| Production | Robert Glickert | Executive Producer |
| Production | Anson Ho | Associate Producer |
| Sound | Gregory Tripi | Music |
| Directing | Christopher T. Sadler | Assistant Director |
| Crew | Don Lee | Stunts |
| Lighting | Dwight A. Galbraith | Electrician |
| Sound | Alex Baker | Production Sound Mixer |
| Production | Ashley Friedlander | Co-Producer |
| Costume & Make-Up | Mackenzie Crosby | Costume Design |
| Sound | Andrew Swanson | Production Sound Mixer |
| Visual Effects | Chris Dawson | Visual Effects |
| Crew | Mike Gunther | Stunt Coordinator |
| Lighting | Jacob Alatriste | Electrician |
| Production | Christopher T. Sadler | Executive Producer |
| Production | Tamara Hunter | Casting |
| Visual Effects | Alexander Vegh | Visual Effects Supervisor |
| Production | Robert Glickert | Producer |
| Art | Dorothy Street | Production Design |
| Costume & Make-Up | Mary Maraia | Makeup & Hair |
| Sound | Andrew Swanson | Sound Designer |
| Directing | Ardy Brent Carlson | Additional Second Assistant Director |
| Sound | Peter Brown | Supervising Sound Editor |
| Sound | Kaspar Hugentobler | Sound Re-Recording Mixer |
| Art | Ben Phen | Set Decoration |
| Crew | Connor Wayton | Stunts |
| Crew | Gary J. Wayton | Stunts |
| Crew | Ron Karkoska | Special Effects |
| Lighting | John Hoan Cha | Electrician |
| Camera | J. Søren Viuf | First Assistant Camera |
| Lighting | John H. Cha | Best Boy Electric |
| Crew | Iyad Hajjaj | Creative Consultant |
| Camera | Bret Watkins | Second Assistant Camera |
| Camera | Tony Banando | Dolly Grip |
| Crew | Weston Dittmann | Armorer |
| Camera | Jason Brewer | Assistant Camera |
| Lighting | Brad Holtzman | Electrician |
| Lighting | Christopher Pritzlaff | Gaffer |
| Camera | Erik Goodrich | Best Boy Grip |
| Camera | Alex Exline | Assistant Camera |
| Camera | Gabriel Lewis | Camera Operator |
| Sound | Martin St. Pierre | Musician |
| Production | Sommer Nguyen | Location Manager |
| Camera | Nolan Wang | Additional First Assistant Camera |
| Camera | Alicia Pharris | First Assistant Camera |
| Crew | Bianca Halpern | Loader |
| Sound | Ryan Fitch | Music |
| Camera | Chris Mirjahangir | Still Photographer |
| Camera | Gabriel Lewis | Director of Photography |
| Editing | Tashi Trieu | Digital Intermediate Colorist |
| Directing | Valerie Grant | Script Supervisor |
