Sean Kane is forced to resign from the San Francisco Police Department's Narcotics Division when he goes berserk after his partner is murdered. He decides to fight alone and follows a trail of drug traffickers into unexpected high places.
Unfortunately the movie An Eye for an Eye is not yet available on HBO Max.
| Directing | Steve Carver | Director |
| Art | Vance Lorenzini | Art Direction |
| Art | Sandy Veneziano | Production Design |
| Crew | Roger George | Special Effects |
| Production | Robert Rehme | Executive Producer |
| Sound | William Goldstein | Music |
| Production | Frank Capra, Jr. | Producer |
| Production | Mel Novak | Associate Producer |
| Writing | William Gray | Screenplay |
| Editing | Anthony Redman | Editor |
| Production | James Bruner | Associate Producer |
| Camera | Jeff Miller | Second Assistant Camera |
| Costume & Make-Up | Jill Maley | Wardrobe Assistant |
| Art | Douglas R. Elliott | Construction Coordinator |
| Crew | Aaron Norris | Stunt Coordinator |
| Art | Paul Dal Porto | Leadman |
| Editing | Priscilla Nedd-Friendly | Additional Editor |
| Production | Susan Alschuler | Publicist |
| Sound | Richard I. Birnbaum | Sound Mixer |
| Camera | Peter Berkson | Assistant Camera |
| Camera | Robin Ryan | Still Photographer |
| Editing | Jeff Freeman | Assistant Editor |
| Camera | Mike Pantages | Key Grip |
| Directing | Donald P. Borchers | Second Assistant Director |
| Directing | Roshani Engineer-Wiskes | Script Supervisor |
| Costume & Make-Up | J. Yvonne Curry | Makeup Artist |
| Costume & Make-Up | Pat Grover | Hairstylist |
| Sound | Ray West | Sound Mixer |
| Sound | Mel Metcalfe | Sound Mixer |
| Sound | Dan Carlin Sr. | Music Editor |
| Lighting | William Maley | Gaffer |
| Crew | Richard Olague | Craft Service |
| Crew | Paula Benson-Himes | Post Production Supervisor |
| Art | Sandy Veneziano | Set Designer |
| Sound | Gene Corso | Sound Effects Designer |
| Sound | David Kirschner | Boom Operator |
| Sound | Richard Tyler | Sound Mixer |
| Camera | Ralph Gerling | Camera Operator |
| Lighting | Joe Crowley | Best Boy Electric |
| Crew | Martin T. Hill | Transportation Coordinator |
| Camera | Dick Colean | Camera Operator |
| Camera | Michael D. Weldon | First Assistant Camera |
| Camera | William Dreyfuss | Grip |
| Camera | Leo Loverro | Dolly Grip |
| Art | Kaye Trapp | Property Master |
| Production | Lee Rafner | Production Manager |
| Directing | Louis S. Muscate | Second Assistant Director |
| Production | Barbara Hanley | Casting |
| Production | Patti Whitman | Production Coordinator |
| Production | Andy Howard | Production Accountant |
| Art | Don Watson | Set Decoration |
| Directing | Yoram Ben-Ami | Assistant Director |
| Production | Cathy Henderson | Casting |
| Production | Stephanie Rosekind | Assistant Accountant |
| Costume & Make-Up | Yvonne Kubis | Costume Supervisor |
| Crew | Ralph Pierce | Transportation Captain |
| Camera | Roger Shearman Jr. | Director of Photography |
| Writing | James Bruner | Story |
| Writing | James Bruner | Screenplay |
| Production | Jack English | Location Manager |
