In 1929, an Australian Aboriginal stockman kills a white station owner in self-defense and goes on the lam, pursued by a posse.
Unfortunately the movie Sweet Country is not yet available on HBO Max.
| Production | Andrew Mackie | Executive Producer |
| Production | Richard Payten | Executive Producer |
| Production | Oliver Lawrance | Executive Producer |
| Production | Christina Kennedy | Executive Producer |
| Production | Scott Otto Anderson | Executive Producer |
| Production | Trevor Kennedy | Executive Producer |
| Production | Craig Deeker | Executive Producer |
| Directing | Warwick Thornton | Director |
| Writing | Steven McGregor | Writer |
| Writing | David Tranter | Writer |
| Art | Tony Cronin | Production Design |
| Camera | Warwick Thornton | Director of Photography |
| Costume & Make-Up | Heather Wallace | Costume Design |
| Editing | Nick Meyers | Editor |
| Art | Theo Benton | Art Direction |
| Production | Greer Simpkin | Producer |
| Production | David Jowsey | Producer |
| Production | Anousha Zarkesh | Casting |
| Sound | Michael Yezerski | Original Music Composer |
| Production | Fiona Lanyon | Line Producer |
| Costume & Make-Up | Jen Rossiter | Hair Designer |
| Crew | Rachel Higgins | Post Production Supervisor |
| Lighting | Max Gersbach | Electrician |
| Directing | Tom Read | First Assistant Director |
| Art | Jennifer Drake | Set Decoration |
| Camera | Michael Corridore | Still Photographer |
| Costume & Make-Up | Rebecca Buratto | Assistant Makeup Artist |
| Sound | Chris Goodes | ADR Recordist |
| Camera | Martin Fargher | Key Grip |
| Costume & Make-Up | Jen Rossiter | Makeup Designer |
| Directing | Shannon Crotty | Second Assistant Director |
| Camera | Drew English | First Assistant "B" Camera |
| Camera | Daniel Foeldes | First Assistant "B" Camera |
| Sound | Phil Heywood | Sound Re-Recording Mixer |
| Sound | Mick Boraso | Sound Effects Editor |
| Costume & Make-Up | Beverley Freeman | Makeup & Hair |
| Camera | Jules Wurm | First Assistant "A" Camera |
| Sound | Evan McHugh | ADR Recordist |
| Sound | Will Sheridan | Boom Operator |
| Production | Tanith Glynn-Maloney | Extras Casting |
| Editing | Trish Cahill | Colorist |
| Camera | Dylan River | Second Unit Director of Photography |
| Crew | John Haratzis | Scenic Artist |
| Art | Matt Landreth | Construction Manager |
| Sound | Thom Kellar | Supervising Sound Editor |
| Crew | John Sanderson | Special Effects Coordinator |
| Camera | Warwick Baker | Still Photographer |
| Camera | Michael Fairbairn | Second Assistant Camera |
| Directing | Dylan River | Second Unit Director |
| Crew | Reg Roordink | Stunt Coordinator |
| Directing | James Dubay | Third Assistant Director |
| Sound | James Andrews | ADR & Dubbing |
| Costume & Make-Up | Olivia Iacobelli | Costume Supervisor |
| Production | Kim Bostock | Unit Manager |
| Sound | Taras Spahic | Assistant Sound Editor |
| Camera | Matt Coulam | Best Boy Grip |
| Sound | Sam Gain-Emery | Supervising Sound Editor |
| Sound | Lachlan Harris | Sound Designer |
| Sound | Adrian Medhurst | Foley Artist |
| Camera | Tamara Dean | Still Photographer |
| Editing | Annie Zhang | Assistant Editor |
| Crew | Kevin McLean | Unit Publicist |
| Production | Jesse Goninon | Location Manager |
| Editing | Miska Mandic | First Assistant Editor |
| Writing | Stephen Cleary | Script Editor |
| Crew | Scott Warwick | Armorer |
| Production | Emma Marshall | Production Coordinator |
| Production | Elspeth Baird | Production Accountant |
| Crew | Kara MacLean | Unit Publicist |
| Crew | Ningali Lawford | Dialogue Coach |
