Tov Matheson is a war veteran with PTSD who perceives that the apocalypse is coming. After starting a relationship with a dubious Messiah, he leaves his normal life and begins the construction of a shelter underground, training himself, in an extreme way, at the cost of losing everything and making people believe he is insane. When he also believes it, something extraordinary happens.
Unfortunately the movie The Last Man is not yet available on HBO Max.
| Camera | Daniel Ortega | Camera Operator |
| Camera | Daniel Ortega | Director of Photography |
| Directing | Rodrigo H. Vila | Director |
| Crew | Gustavo Lencina | Additional Writing |
| Production | Pablo Atkins | Line Producer |
| Production | Federico Heller | Co-Producer |
| Production | Michael Hothorn | Associate Producer |
| Production | Patricio Rabuffetti | Co-Producer |
| Crew | Pablo Margiotta | Post-Production Manager |
| Sound | Julia Huberman | Foley Mixer |
| Editing | Luis de la Madrid | Editor |
| Production | Michael Hothorn | Casting |
| Directing | Luciano Pozzi | Assistant Director |
| Art | Maximiliano Patko | Production Design |
| Production | Guillermo Rossi | Associate Producer |
| Production | Gonzalo Vila | Producer |
| Sound | Esteban Golubicki | Sound Effects Editor |
| Production | Sabina Sigler | Associate Producer |
| Production | Dalila Zaritzky | Executive Producer |
| Sound | Agustín Casola | Foley Artist |
| Crew | Luciano Origlio | Post Production Supervisor |
| Editing | Jordi López | Editor |
| Sound | Leandro de Loredo | Sound Re-Recording Mixer |
| Sound | Andrés Gargiulli | Boom Operator |
| Sound | Bechen de Loredo | ADR Mixer |
| Visual Effects | Guido Ferraro | Visual Effects Designer |
| Sound | Bechen de Loredo | Foley Mixer |
| Sound | Sebastián Sonzogni | Foley Artist |
| Crew | Nahuel Lozano | Stunts |
| Directing | Gimena Joao | First Assistant Director |
| Sound | Hernán Converti | Sound Mixer |
| Sound | Jeronimo Kohn | Dialogue Editor |
| Visual Effects | Majo Tabares | Visual Effects Producer |
| Costume & Make-Up | Pepe Uria | Costume Design |
| Sound | José E. Caldararo | Foley Artist |
| Production | Dalila Zaritzky | Producer |
| Directing | Agustina Macri | Second Unit Director |
| Sound | Rafael Millán | Foley Recordist |
| Production | Rodrigo H. Vila | Producer |
| Sound | Emilio Kauderer | Music |
| Visual Effects | Gonzalo Arenas Norton | Digital Compositor |
| Camera | Valeria Fiorini | Still Photographer |
| Sound | Sébastien Lipszyc | Boom Operator |
| Visual Effects | Virginia Vallés | Visual Effects Coordinator |
| Visual Effects | Julián Coutada | Digital Compositor |
| Visual Effects | Federico Heller | Visual Effects Supervisor |
| Visual Effects | Nacho Arevalo | Digital Compositor |
| Crew | Riley Barnes | Stunt Double |
| Lighting | Juan Manuel Tizón | Gaffer |
| Editing | Jorgina Elias | Assistant Editor |
| Crew | Clara Ripoll | Video Assist Operator |
| Camera | Jorge Coki Tristán | Key Grip |
| Editing | Camila Musteikis | Assistant Editor |
| Camera | Gabriel Quevedo | Steadicam Operator |
| Production | Desireé Lehner | Location Assistant |
| Production | Natalia Smirnoff | Casting |
| Crew | Irving Victoria | Additional Music |
| Writing | Rodrigo H. Vila | Writer |
| Writing | Dan Bush | Script Consultant |
