Fiore, an Italian conman, arrives in post Communist Albania with Gino, his young apprentice, to set up a shoe factory that will never open. The con requires a native Albanian, so they designate Spiro, an impoverished and confused former political prisoner as chairman of the board. When Fiore returns to Italy to get government funds for the project, Spiro unexpectedly disappears and Gino sets out on a journey to find him. The search leads him to discover Spiro's tragic personal history and witness Albanian poverty firsthand.
Unfortunately the movie Lamerica is not yet available on HBO Max.
| Directing | Gianni Amelio | Director |
| Writing | Gianni Amelio | Screenplay |
| Writing | Andrea Porporati | Screenplay |
| Writing | Alessandro Sermoneta | Screenplay |
| Camera | Luca Bigazzi | Director of Photography |
| Art | Giuseppe M. Gaudino | Production Design |
| Production | Claudio Vecchio | Line Producer |
| Costume & Make-Up | Gloria Pescatore | Makeup Artist |
| Costume & Make-Up | Maria Gerolama Sale | Makeup Artist |
| Sound | Franco Piersanti | Original Music Composer |
| Directing | Anita Borgiotti | Script Supervisor |
| Costume & Make-Up | Esmé Sciaroni | Makeup Artist |
| Camera | Alfonso Vicari | First Assistant Camera |
| Sound | Angelo Amatulli | Boom Operator |
| Camera | Alessandro Abate | Second Assistant Camera |
| Production | Bruno Memoli | Production Secretary |
| Crew | Luca Ricci | Special Effects Technician |
| Production | Samanta Antonnicola | Line Producer |
| Production | Mario Cecchi Gori | Producer |
| Costume & Make-Up | Romano Donati | Makeup Artist |
| Directing | Marco Turco | First Assistant Director |
| Production | Gianfranco Strazza | Production Secretary |
| Production | Patrizia Poggesi | Administration |
| Production | Massimo Costa | Line Producer |
| Sound | Benni Atria | Sound Editor |
| Writing | Alessandro Sermoneta | Story |
| Writing | Gianni Amelio | Story |
| Production | Enzo Porcelli | Executive Producer |
| Camera | Claudio Iannone | Still Photographer |
| Directing | Alessandro Sermoneta | Second Assistant Director |
| Sound | Alvaro Gramigna | Foley Artist |
| Costume & Make-Up | Liliana Sotira | Costume Design |
| Editing | Simona Paggi | Editor |
| Crew | Salvatore Napoletano | Special Effects Technician |
| Writing | Andrea Porporati | Story |
| Directing | Alessandro Dionisio | Script Supervisor |
| Costume & Make-Up | Claudia Tenaglia | Costume Design |
| Sound | Alessandro Zanon | Sound |
| Editing | Rossana Cingolani | Assistant Editor |
| Production | Franco Fogagnolo | Administration |
| Sound | Fernando Caso | Foley Artist |
| Editing | Carlo Simeoni | Assistant Editor |
| Production | Renato Fiè | Unit Manager |
| Costume & Make-Up | Cristina Francioni | Assistant Costume Designer |
| Camera | Enrico Maggi | Camera Operator |
| Camera | Stefano Forcina | First Assistant Camera |
| Art | Mario Rossetti | Set Decoration |
| Lighting | Michele Pellegrini | Gaffer |
| Production | Vittorio Cecchi Gori | Producer |
| Camera | Sandro Fabbriani | Key Grip |
| Crew | Francesco Sabelli | Special Effects Technician |
| Sound | Danilo Moroni | Sound Mixer |
| Sound | Stefano Chierchié | Assistant Sound Editor |
| Production | Giovanna Emidi | Administration |
| Camera | Gian Enrico Bianchi | Camera Operator |
| Production | Nazzareno Ubertini | Production Secretary |
| Art | Giuseppe M. Gaudino | Set Decoration |
