London, England, May 2000. The peaceful life of elderly Joan Stanley is suddenly disrupted when she is arrested by the British Intelligence Service and accused of providing information to communist Russia during the forties.
Unfortunately the movie Red Joan is not yet available on HBO Max.
| Costume & Make-Up | Sam Smart | Makeup & Hair |
| Art | Abbie Bellwood | Assistant Set Decoration |
| Art | Russell Daly | Construction Manager |
| Art | Douglas Ingram | Storyboard Artist |
| Art | Charlotte Meakin | Assistant Art Director |
| Art | Steve Register | Property Master |
| Art | Polly Stevens | Assistant Art Director |
| Sound | Nick Baldock | ADR Mixer |
| Crew | Chus Lucas | Stunt Double |
| Crew | Jo McLaren | Stunt Coordinator |
| Crew | Anthony Skrimshire | Stunts |
| Lighting | Wailoon Chung | Electrician |
| Camera | Alex Coverley | Key Grip |
| Camera | Barney Davis | Steadicam Operator |
| Camera | Luke Redgrave | Camera Operator |
| Lighting | Paul Sallent | Electrician |
| Production | Andreya Lynham | Casting Associate |
| Costume & Make-Up | Mariem Bey | Wardrobe Supervisor |
| Costume & Make-Up | Carmen Cristea | Wardrobe Master |
| Costume & Make-Up | Hannah Warren | Assistant Costume Designer |
| Editing | Malcolm Crowe | Assistant Editor |
| Editing | Thora Woodward | First Assistant Editor |
| Sound | Samuel Pegg | Music Editor |
| Sound | Graham Sutton | Music Editor |
| Production | Elfyn Wyn Jones | Production Accountant |
| Production | Amelia Southgate | Production Coordinator |
| Directing | Trevor Nunn | Director |
| Writing | Lindsay Shapero | Screenplay |
| Camera | Zac Nicholson | Director of Photography |
| Art | Cristina Casali | Production Design |
| Editing | Kristina Hetherington | Editor |
| Sound | George Fenton | Original Music Composer |
| Production | David Parfitt | Producer |
| Production | Tim Haslam | Executive Producer |
| Production | James Atherton | Executive Producer |
| Production | Priscilla John | Casting |
| Production | Orla Maxwell | Casting |
| Costume & Make-Up | Sallie Jaye | Makeup & Hair |
| Costume & Make-Up | Charlotte Walter | Costume Designer |
| Writing | Jennie Rooney | Novel |
| Production | Zygi Kamasa | Executive Producer |
| Production | Hugo Grumbar | Executive Producer |
| Production | Jan Pace | Executive Producer |
| Production | Kelly E. Ashton | Executive Producer |
| Production | Karl Sydow | Executive Producer |
| Production | Ivan Mactaggart | Co-Producer |
| Production | Alice Dawson | Co-Producer |
| Production | Cleone Clarke | Associate Producer |
| Production | Beth Timbrell | Production Manager |
| Directing | Cordelia Hardy | First Assistant Director |
| Art | Tanya Bowd | Set Decoration |
| Art | Sion Clarke | Supervising Art Director |
| Sound | Will Whale | Sound Mixer |
| Directing | Kim Armitage | Script Supervisor |
| Art | Frances Bennett | Graphic Designer |
| Lighting | Andy Long | Gaffer |
| Camera | Nick Wall | Still Photographer |
| Camera | Parisa Taghizadeh | Still Photographer |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Sound | Nick Adams | Supervising Sound Editor |
| Editing | Vanessa Taylor | Colorist |
| Sound | Craig Irving | Sound Re-Recording Mixer |
| Sound | Max Walsh | Sound Re-Recording Mixer |
| Sound | Sue Harding | Foley Artist |
| Sound | Dario Swade | Foley Editor |
| Visual Effects | Mark Knapton | Visual Effects Supervisor |
