In the not-too-distant future, the aging gene has been switched off. To avoid overpopulation, time has become the currency and the way people pay for luxuries and necessities. The rich can live forever, while the rest struggle to negotiate for their immortality. A poor young man who suddenly comes into a fortune of time finds himself on the run from a corrupt police force known as the "time keepers".
Unfortunately the movie In Time is not yet available on HBO Max.
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Production | Andrew Niccol | Producer |
| Sound | Craig Armstrong | Original Music Composer |
| Production | Andrew Z. Davis | Executive Producer |
| Art | Alex McDowell | Production Design |
| Editing | Zach Staenberg | Editor |
| Directing | Andrew Niccol | Director |
| Production | Kristel Laiblin | Executive Producer |
| Production | Amy Israel | Executive Producer |
| Production | Denise Chamian | Casting |
| Production | Eric Newman | Producer |
| Writing | Andrew Niccol | Screenplay |
| Production | Marc Abraham | Producer |
| Crew | Billy D. Lucas | Stunts |
| Crew | Shauna Galligan | Utility Stunts |
| Crew | Clay Cullen | Stunt Driver |
| Crew | Danny Wynands | Stunts |
| Crew | Zack Duhame | Stunts |
| Costume & Make-Up | Tracy Manzo | Makeup Artist |
| Costume & Make-Up | Michelle Vittone | Makeup Department Head |
| Art | Chris Farmer | Art Direction |
| Art | Karen O'Hara | Set Decoration |
| Art | Todd Cherniawsky | Art Direction |
| Costume & Make-Up | Katrina Chevalier | Hairstylist |
| Costume & Make-Up | Cheryl Beasley Blackwell | Costume Supervisor |
| Art | Vlad Bina | Art Direction |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Art | Andrea Carter | Art Department Coordinator |
| Crew | Jeremy Fry | Stunts |
| Camera | Roger Deakins | Director of Photography |
| Production | Debra James | Co-Producer |
| Production | Debra James | Unit Production Manager |
| Visual Effects | Dottie Starling | Visual Effects Supervisor |
| Directing | Greg Hale | Second Assistant Director |
| Camera | Bela Trutz | Steadicam Operator |
| Camera | Harry Zimmerman | First Assistant "B" Camera |
| Production | Arnon Milchan | Executive Producer |
| Camera | Bela Trutz | "B" Camera Operator |
| Crew | David Leitch | Stunt Coordinator |
| Art | Igor Knežević | Production Illustrator |
| Art | Martin Charles | Graphic Designer |
| Art | Priscilla Elliott | Art Direction |
| Directing | Renee Hill-Sweet | Second Second Assistant Director |
| Camera | Matthew Haskins | Second Assistant "A" Camera |
| Crew | Jared S. Eddo | Stunts |
| Directing | Kristina M. Peterson | Second Second Assistant Director |
| Camera | Andy Harris | First Assistant "A" Camera |
| Production | Hutch Parker | Executive Producer |
| Art | Joel Prihoda | Leadman |
| Directing | Lars P. Winther | First Assistant Director |
| Camera | Stephen Vaughan | Still Photographer |
| Visual Effects | Ellen Somers | Visual Effects Supervisor |
| Lighting | Blake Pike | Key Rigging Grip |
| Art | Ian Kay | Assistant Property Master |
| Costume & Make-Up | Julie Kristy | Makeup Artist |
| Art | Gregory Byrne | Set Dresser |
| Sound | Andrew Bock | Assistant Sound Editor |
| Costume & Make-Up | Kanani Wolf | Set Costumer |
| Art | John Herrera McElroy | Assistant Property Master |
| Sound | Paul Massey | Sound Re-Recording Mixer |
| Production | David Bojarski | Second Assistant Accountant |
| Production | Ania O'Hare | Casting Associate |
| Crew | Jesse Olivares | Video Assist Operator |
| Crew | Ted Moser | Transportation Coordinator |
| Costume & Make-Up | Carrie Arakaki | Key Costumer |
| Production | S. Dylan Kirkland | Assistant Location Manager |
| Camera | Ray Garcia | Key Grip |
| Costume & Make-Up | Shelli Nishino | Set Costumer |
| Costume & Make-Up | Terry Baliel | Hair Department Head |
| Crew | Ian Kay | Armorer |
| Sound | Richard King | Supervising Sound Editor |
| Costume & Make-Up | Donna O'Neal | Key Set Costumer |
| Production | Paul LaZebnik | Production Coordinator |
| Sound | Christopher Walmer | Utility Sound |
| Sound | Michael Babcock | Supervising Sound Editor |
| Camera | Bruce Hamme | Dolly Grip |
| Lighting | Robert B. Dechellis | Best Boy Electric |
| Costume & Make-Up | Christine L. Cantella | Assistant Costume Designer |
| Costume & Make-Up | Maggie Hayes-Jackson | Hairstylist |
| Production | John Panzarella | Location Manager |
| Art | Darlene Salinas | Set Decorating Coordinator |
| Crew | Guy Adan | Unit Publicist |
| Sound | Linda Yeaney | First Assistant Sound Editor |
| Sound | Kira Roessler | Dialogue Editor |
| Camera | Liza Bambenek | Second Assistant "B" Camera |
| Camera | Rod Farley | Best Boy Grip |
| Sound | Ed Novick | Production Sound Mixer |
| Visual Effects | Ellen Somers | Visual Effects Producer |
| Sound | David Giammarco | Sound Re-Recording Mixer |
| Costume & Make-Up | Jay Cheng | Set Costumer |
| Editing | Tony Bacigalupi | First Assistant Editor |
| Lighting | Chris Napolitano | Gaffer |
| Lighting | R. Michael De Chellis | Rigging Gaffer |
| Costume & Make-Up | Candace Neal | Hairstylist |
| Art | Anne Marie Hamill | Set Dresser |
| Production | Michael DeSantis | Production Accountant |
| Sound | Jeff Sawyer | Sound Effects Editor |
| Art | Bill Holmquist | Construction Coordinator |
| Production | Michelle Stevens | First Assistant Accountant |
| Sound | Paul Berolzheimer | Sound Effects Editor |
| Sound | Gary Calamar | Music Consultant |
| Art | John Markovich | Set Dresser |
| Sound | Odin Benitez | Sound Effects Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Art | Christopher Williamson | Set Dresser |
| Visual Effects | Matt Sweeney | Special Effects Supervisor |
| Crew | Willie Radcliff | Craft Service |
| Crew | Ted Moser | Picture Car Coordinator |
| Sound | Jessica Gallavan | ADR Supervisor |
| Sound | Christopher Flick | Foley Supervisor |
| Sound | Mary Jo Lang | Foley Mixer |
| Sound | Bruce Tanis | Foley Supervisor |
| Editing | Martha Pike | Digital Intermediate Editor |
| Crew | Rick Davis | Transportation Captain |
| Sound | John Roesch | Foley Artist |
| Sound | Zigmund Gron | Music Editor |
| Camera | Paul Hughen | Second Unit Director of Photography |
| Sound | Alyson Dee Moore | Foley Artist |
| Sound | David Jobe | Foley Mixer |
| Sound | Rick Canelli | ADR Recordist |
| Camera | Jessica Ramos | Camera Loader |
| Sound | Knox White | Boom Operator |
| Art | Eugene McCarthy | Property Master |
| Costume & Make-Up | Debra Coleman | Makeup Artist |
| Art | Art Shippee | Set Dresser |
| Sound | David Lee Fein | Foley Artist |
| Sound | Michael Babcock | Additional Sound Re-Recording Mixer |
| Directing | David Leitch | Second Unit Director |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Art | Ahmet Ahmet | Title Designer |
| Sound | Hilda Hodges | Foley Artist |
| Production | Alan Kilmer | Payroll Accountant |
| Editing | George Chavez | Color Timer |
| Crew | Bradley M. Goodman | Post Production Supervisor |
| Sound | Roland N. Thai | Sound Effects Editor |
| Sound | James Wright | Dolby Consultant |
| Art | Todd Harris | Storyboard Artist |
| Crew | Allan Padelford | Stunt Driver |
| Editing | Ainslie Thomas | Project Manager |
| Crew | Heidi Moneymaker | Stunt Double |
| Crew | Tad Griffith | Stunts |
| Crew | Debbie Evans | Stunts |
| Crew | Chris Palermo | Stunt Driver |
| Crew | Renae Moneymaker | Stunt Double |
| Crew | Oakley Lehman | Stunts |
| Crew | Michelle Rose | Utility Stunts |
