The recently widowed mother of two, Sarah, is desperate to know who murdered her husband in front of her young son, rendering him mute. Coerced into helping a low-life drug dealer stash narcotics stolen from the local Mr. Big, she's forced into taking drastic action to protect her children, evolving from downtrodden submissive to take-charge vigilante.
Unfortunately the movie A Good Woman Is Hard to Find is not yet available on HBO Max.
Production | Jean-Yves Roubin | Co-Producer |
Production | Lee Bum-su | Executive Producer |
Production | Mathilde Snodgrass | Casting |
Production | Carla Stronge | Casting |
Production | Marie-Thérése Mackle | Production Manager |
Production | Molly Stack | Production Coordinator |
Directing | Orla Finucane | Script Supervisor |
Production | Michael Hooley | Casting Associate |
Camera | Joe Ransom | "B" Camera Operator |
Camera | Ondřej Rybár | Focus Puller |
Camera | Tanmoye Khan | Second Assistant Camera |
Camera | Cel Bothwell-Fitzpatrick | Digital Imaging Technician |
Lighting | Brian Livingstone | Gaffer |
Lighting | Steven Livingstone | Best Boy Electric |
Art | Andrew Robinson | Assistant Art Director |
Art | Neal Hughes | Property Master |
Art | Catherine Brannigan | Property Buyer |
Art | Virginia Apicella | Standby Art Director |
Art | Benen Dillon | Art Department Assistant |
Camera | Joanne Mullin | Still Photographer |
Camera | Christopher Barr | Still Photographer |
Editing | Lauren L'Estrange | Assistant Editor |
Editing | Stéphanie Merken | Assistant Editor |
Production | Catherine Geary | Location Manager |
Sound | Peter Baldock | Sound Designer |
Sound | Adrian Furdui | Supervising Dialogue Editor |
Sound | James Matthews | Foley Editor |
Sound | Olivia Celeste Barry | Sound Editor |
Sound | Kristiana Udre | Foley Artist |
Sound | Patrick Singer | Foley Artist |
Production | Cassandre Warnauts | Co-Producer |
Production | Abner Pastoll | Executive Producer |
Sound | Paul Heymans | Production Sound Mixer |
Production | Ronan Blaney | Associate Producer |
Camera | Reece Hearnshaw | Grip |
Sound | Thomas Berliner | Boom Operator |
Sound | Matthew Pusti | Original Music Composer |
Directing | Abner Pastoll | Director |
Writing | Ronan Blaney | Writer |
Production | Junyoung Jang | Producer |
Production | Guillaume Benski | Producer |
Production | Jean-Yves Roubin | Producer |
Camera | Richard C Bell | Director of Photography |
Art | Gillian Devenney | Production Design |
Production | Jan Pace | Executive Producer |
Production | James Atherton | Executive Producer |
Costume & Make-Up | Dan Martin | Special Effects Makeup Artist |
Production | Jang Won-seok | Executive Producer |
Editing | Abner Pastoll | Editor |
Art | Megan Britton | Set Decoration |
Costume & Make-Up | Elise Ancion | Costume Design |
Costume & Make-Up | Liz Boston | Makeup Artist |
Directing | Laurie Mahon | First Assistant Director |
Directing | Maéva Buisse | Second Assistant Director |
Directing | Neil Winterlich | Second Assistant Director |
Directing | Dario Cappellini | Third Assistant Director |
Sound | Nick Baldock | Supervising Sound Editor |
Visual Effects | Nicolas Corson | Digital Compositor |
Visual Effects | Stéphanie Pottier | Visual Effects Coordinator |
Crew | Joe Condren | Stunt Coordinator |